Category: Uncategorized
“waking” (may 2014)
Why birds do you chirp, at this grave hour?
When all things are dead, when waking corpses
Brood over books of life lessons passed,
And sleeping corpses lie in graves, their beds;
Its four o’clock, and the people in the
Real world will wake in an hour or two;
Waking people, though dead, and I am dead,
Though waking still, and the sun is dead, too.
By this time, the dead have succumb to fate:
Sleep. But still, I am as awake as you.
The sun peeks though now, though still not wake,
The sky, you know the one, a light grey blue.
Though I’ve tried, I’ve slept not a wink. Why, birds
Do you chirp when all things are dead, but you?
“man in the machine” (may 2014)
I hymned a roar from the inner depths
of the machine surrounding. The howl fell
on ears of deaf, as did my heartbeat’s pounding.
The apparatus groaned around me. “Oil!”
cried my master. My job in here’s to tend
this beast, that it may then whirr faster.
I can’t see the product of my toil
from inside this grave machine. I have but one God
I follow: The King of Gasoline.
All the gears that crank above me creek with
shrieks of men, who threw themselves
upon the gears, which, laughing, ground them in.
And these gears to which I tend
extend up to the moon. A place that sounds
like paradise compared to this boiler room.
“Hark!” I call again, my beckon echoin’
through the gears. “Let me go,” I call to them
as if they all had ears.
They heard me but they didn’t stop;
kept clicking into place. The shrieks of dying men
chimed back, so I sang deeper into space.
“war” (august 2014)
there is one war that every man wages,
every man wins
everyman loses.
this is the only war.
if you fight it with a friend
another country
or a dirty criminal
know that you fought it with yourself
first.
no matter party line, religion,
or even sexual orientation,
this is the only war.
and when you face other men in other wars, know
between you all
that you’re really fighting one war.
that’s the long fought war
the one you didn’t see yourself giving in to
but it came.
that’s the one you were gonna hold out for
the one you were gonna use to prove yourself somethin
but it came.
that’s the fight you fought to fight
knowing that you’d lose.
and that’s the blissful agony
in blowing your refuse.
That’s the one you kneel over
cursing why you did
gnashing your gnarled teeth yet laughing–
you’d do it all again.
then there’s the time. the time you really packed it all in. you know
you got your point across. but you just had to cross that line.
and then you really give it your all. there’s no turning back.
it’s not gonna be you. it’s not gonna be him.
you fight, you fight that bitter fight.
and it all comes to a head.
and you’ve won. and you’ve lost.
–you feel it—that’s the real “fuck me.”–that’s the fight that makes and breaks you
–and you’d do it all again.
that’s what women’ll never understand. they can’t. it’s not a sexist thing.
it’s a man thing.
it’s the war.
the one you wage, lose, and win, over and over and over
New American Literature
While re-reading Blake Butler’s 300,000,00, a 2014 novel boasting the best prose of the New Millennium and the lest substantial review record in memory, I came across the syllabus of what would be a year-long course in American Literature — mired among the murder of so many millions of millions.
Butler’s Syllabus is a set of references so well embedded in the elusively nauseating “plot” of the novel that I doubt any reader has even gotten to the pages 364-367 in which the references are found. And even then, the reader must wade through “jungle gym garage door flowchart bodies adhesive bandage bodies water” and “particle accelerator car audio Carl Panzram kills at least twenty-one and sodomizes at least a thousand” in order to isolate the gems.
Lucky for you, I have saved you from potentially losing your mind to Mr. Butler’s. If I may say, I understand precisely what the action and spirit of this novel recognizes (for it can only be understood intuitively and esoterically). But as for America at large, this understanding will be lost, and all of America will go down to wallow amidst the fantasy of its own misunderstanding. Let, then, this curriculum be Bulter’s final testament of writing, down the last word, in America:
Herman Melville, Moby-Dick
Gertrude Stein, The Making of Americans
William Gaddis, The Recognitions
Thomas Pynchon, Gravity’s Rainbow
Cormac McCarthy, Blood Meridian
Bret Easton Ellis, American Psycho
David Foster Wallace, Infinite Jest
[bulla] Hymn of Commencing the Judgement
by Sesh Antara
1 Come forth from the Water and bear up this God
2 Like as Atum raised himself upon the Ka of Nu
3 By the grace of Ma’at, giving Order to Chaos,
4 Being as he was directed by Djhwty to born
5 The 9 Gods. O Atum, first in the Company of Amun,
6 Gave thou to thy Son a Space; Gave thou to thy
7 Daughter weight; Geb and Nut come forth and mate;
8 Their two twins dual and create.
09 O you Gods who are in the Bark with Ra,
10 O you Gods who are in the Company of the Judge,
11 O you Defendant who cometh before them:
12 Know them in the Order which they are gotten
13 To know that which is spoken truly under the Law:
14 To balance all forces in their dual Nature
15 By measuring their weight against the Light
16 And return equilibrium to scale
17 In the Hall of the Double Truths
18 Before the Seat of Judgement.
19 How is it done, the measurement
20 Of the weight of one’s Ka against the Light
21 Which is that constant Truth
22 O’er which thy Ba doth witness
23 The flux of the Scale,
24 Whether the Plumb condemns or vindicates
25 The Defendant as recorded in the presence of Wasar.
26 Know that this method be practicable
27 For making the Heart like a feather
28 And for doing Ma’at while on Earth
29 To make for thee thy conscience glad
30 And to make the Ruler to vindicate thy voice before the Sovereign Judge.
31 Concentrate, observe, and quantify thy measures;
32 Record and fix the weight;
33 Rebalance, recalibrate, and correct thy state
34 Of conduct, using the line of the Scale’s equilibrium
35 Whereon their weight hath been measured.
36 Axe. Htp. Imn.
N.S. Archives
A Beach Without Water Is A Terrible Way to Die
The Digital Re-issue of the Out-of-Print Erotic Novel
The New Syllabus is pleased to re-issue one of the first full-length novels ever written by the Scribe of the House, Antarah Crawley, prior to his initiation into the Greater Mysteries. Between the years 2012 and 2014, while enrolled in Western University, Mr. Crawley founded the Antarah Crawley & Company Press, which later came to operate under the name of Vesak Word House Press. This Press published limited-run hand-bound volumes of the fictional and poetic works of Mr. Crawley during these years.
An amusing bit of Syllabus history goes that Antarah Crawley wrote a novel called Pharmacon of the Spirit (2013-2014) and published approximately three editions of the book under Vesak Word House. The main character of that novel is Walter Kogard, and the narrative follows his life in New York and his work on a new book; but Kogard is forced to return to D.C. one last time to see his child. (The novel has a lot of flaws). Amusingly, in real life after Mr. Crawley completed writing and publishing Pharmacon, he moved from D.C. to New York where he wrote the narrative in which Walter Kogard finds his syllabus, which narrative is known as Rustles in Dry Leaves and can be found in any edition of The New Syllabus. The process of Crawley writing Rustles ultimately founded the New Syllabus Organization, which assumed all rights of the Vesak Work House Press, including the un-published novelization of the life of Kogard.
Pharmacon of the Spirit will ever remain in obscurity because there are no surviving copies of the whole novel from the VWH period.
However, today The New Syllabus presents A Beach Without Water Is A Terrible Way to Die, a long out-of-print psycho-erotic novel which Mr. Crawley wrote in 2013/4 as a response to 50 Shades of Gray. Crawley’s novels from the VWH period are deeply flawed, but we at the Syllabus believe that the fiction has its merits, and that it will satisfy anyone willing to commit to this thrilling, touching story of one middle-aged woman’s struggle with self love.
Below is the cover for a VWH double-feature publication which included A Beach Without Water.
Enjoy!
“WAKE UP, MR. WEST”: The Return of the Rap-Pagan, Part I
[Paragraphs marked * were written c. January 2014 and slightly revised]
[Note: this essay contains racial language used for socio-analytical purposes. The NS identifies only one Human race and does not discriminate or condemn any individual solely for their personal, cultural, or religious practices. The NS does not, however, condone the thematically-exploitative historical practices of certain homogenous groups.]
Hip-hop music was once the voice of the urban Afrakan of the Diaspora (Black people), spoken by poor righteous teachers to inform us of our circumstances. In the era of Rakim, Tribe, Wu-Tang, and other 5%ers, Hip-Hop preached the pagan sun-gospel and the resurrection of the black body from the Wilderness of the North American ghettos.
Hip-hop was so effective at its initial mission to “wake up” the Black people that the Powers-That-Be, who were invested in keeping the Black population ignorant and depraved, thereupon infiltrated the ranks of our culture, poisoned our message, and created the genre of “Rap.” Rap was promoted by the Powers-That-Be into becoming the dominant mode of entertainment for Black youth. As such, it has been seeded with those same vices which our old-head teachers said would keep us subservient to the system: drug abuse, misogyny, glorification of violence, and the pursuit of empty riches.
This is not the first time that the Powers-That-Be have infiltrated the ranks of natural Culture. It happened over 2000 years ago in Lower Kemet, and it has been happening for the past 1000 years all over the indigenous world. In Ancient Kemet, the Powers-That-Be [Greece, Rome, Hyksos-Semites] conquered, stole, and corrupted the pagan science of nature into the abrahamic mystery religions. Hence, without intending any anti-Semitism, it is appropriate to call the originators of modern Hip-Hop culture Rap-Pagans, and the parasitic trap-rappers and cronies of the music industry, Rap-Jews.
Kanye West, a talented young producer who appeared on the scene at the end of the 90s just as the Rap-Jews were beginning to take over, presents an interesting model of a music artist in an age where the Black consciousness is torn between cultural piety and cultural exploitation. It is as if Kanye had begun his career wanting to reclaim Kemet for his people, but he was ultimately consumed by Babylon. In Part II of this essay, we will see how Kendrick Lamar, proud King Kunta Kinte, represents the alternative, true, inner Kanye West, the Kanye who succeeded in beating the system, instead of getting beat by it.
*Mr. West’s most recent album, Yeezus, which many lament and many praise, is not all boast. I believe that Mr. West is the divine prophet of the rap music industry, the chosen son of our god Gil Scott-Heron, and he has come to die for all the sins of his fellow Rap-Jews, who are mired in the vices above described.
*We may separate Mr. West’s career into Old and New Testaments, on opposite sides of the dramatic upset in his style between Graduation and 808s and Heartbreak. Graduation having been released in September of 2007, and his mother having died in November of that year, we may credit Mr. West’s emotional shift to that event which he has said proved to yield a devastating affect in his life.
*College Dropout, Late Registration, and Graduation—the Old Testament of Kanye West—exemplify his affinity for classic soul samples, the guilt he sustained from not completing college and letting his mother down, and his struggle to find his place in the rap world.
*In the Old Testament, we find verses from Talib Kweli, Common, Mos Def (the rapper currently known as Yasiin Bey), Lupe Fiasco, and other Rap-Pagans of this era, to an extent and quality that we find lacking in the latter period of Mr. West. We find West acknowledging and often lamenting the reality that he sees his people so mired in—how the institutions of white America passed down drugs, guns, and disease to break a people intent on trying to pull themselves up (see “Crack Music”)—as well as grappling with his image and his internal struggle between desiring the flashy luxurious toys that the Rap-Jew covets and being an upstanding role model for a younger generation (i.e., providing an image of the black male that is not steeped in lust-driven, gang-oriented, rags-to-crack-to-riches ideology). This internal conflict is epitomized in College Dropout, but also well-evoked in Late Registration:
How we stop the Black Panthers?
Ronald Reagan cooked up an answer.
You hear that? What Gil Scott was “Heron”
When our heroes and heroines got hooked on heroine.
Crack raised the murder rate in D.C. and Maryland;
We invested in that, it’s like we got Merrill lynched.
And we’ve been hanging from the same tree ever since.
Sometimes I feel like music is the only medicine,
So we cook it, cut it, measure it, bag it, sell it,
The fiends cop it, nowadays they can’t tell if
That’s that good shit, we ain’t sure, man;
Put the CD on your tongue, yeah that’s pure, man.
This that crack music, nigga,
That real black music, nigga.
From the place where the father’s gone, the mothers is hardly home
And the Madigons lock us up in the Audy Home [a Chicago-area juvenile prison];
How the Mexicans say, We just tryin’ to party, holmes;
They wanna pack us all in a box like styrofoam.
Who gave Saddam anthrax?
George Bush got the answers.
Back in the hood it’s a different type of chemical–
Arm & Hammer baking soda raised their own quota
Right when our soldiers ran for the stove ’cause,
‘Cause … dreams of being Hova
Went from being a broke man to being a dopeman
To being the president, look there’s hope, man;
This that inspiration for the Moes and the Folks, man,
Shorty come and see his momma straight overdosin’
… And this is the soundtrack;
This the type of music that you make when you round that.
Our father, give us this day our daily bread,
Before the feds give us these days and take our daily bread.
See I done all this ol’ bullshit,
And to atone, I throw a lil’ somethin’ somethin’ on the pulpit.
We took that shit, measured it, and then cooked that shit,
And what we gave back was crack music.
And now we ooze it through they nooks and crannies,
So our mommas ain’t got to be their cooks and nannies,
And we gon’ repo everything they ever took from granny.
Now the former slaves trade hooks for Garmmys.
This dark diction has become America’s addiction.
Those who ain’t even black use it.
We gon’ keep baggin’ up this here crack music.
*I reproduced “Crack Music” from Late Registration here in its entirety because I think it’s the most revealing of West’s Old Testament songs. Even when he is making a song in the spirit of the Rap-Jew, elaborating upon past drug-work and showing how one made it “out the ghetto” because of that occupation, he is being pointedly ironic. He is representing this type of degenerative rap as crack in and of itself. Music that glorifies the drug-life is poison for the people who have to experience this reality every day, and yet rappers continue to glorify this occupation at the behest of parasitic music industry executives who think that this image is what will sell records. Mr. West is pointing out that the Black community’s drug problems were and are imposed upon them by the Powers-That-Be in order to break them, in the same way that “crack music” is imposed upon young Black ears in order to keep those youths in a position where they will be swiftly cast off into the prison industrial complex and be out of America’s white hair. The way in which chemical warfare was executed in the Iraq War was the same way it was executed in the urban centers of America.
*Mr. West is trying to say that being a dopeman is no longer something that Black youths in city slums have to take as their given future; they have further options, and the later election of President Barack Obama in 2008 was a well-timed reinforcement to this sentiment. Despite the ironic ending to this song, Mr. West aims to instil hope in his listeners, or at least an awareness of the system in which they find themselves at the bottom. There are other options, he says; Black youths don’t have to look up to Hova (Jay-Z) as one of their sole role models because rap and professional sports are not the only options for black youth … which brings me to my next point.
*In this era we see Mr. West revere Jay-Z as a Yahweh figure, a mentor, even though Ye laments that the superstar did not give him much of a thought during the early part of his career (exemplified in “Last Call” on College Dropout, “Diamonds from Sierra Leone” on Late Registration, and “Big Brother” on Graduation). That would change in the New Testament, however, when Mr. West would inflate his ego in order to prove himself to be a contender for Jay-Z’s throne as the Greatest Rapper on Earth Alive Today and the Greatest Of All Time (the GREAT GOAT).
*At the end of the Old Testament, we see the death of the Graduation Bear, that figure which served as a logo and branding marker for Mr. West’s early career; that image makes its last appearance on the cover of Graduation, signifying a moving-away from the college motif (i.e., the “student” persona) and a rebirth in musical spirit (i.e., the development of the “master” persona).
*808s and Heartbreak, My Beautiful Dark Twisted Fantasy, Cruel Summer and Watch the Throne (for our purposes), and Yeezus, signify the New Testament as it stands presently. [This paragraph was written prior to the release of Life of Pablo.]
*808s introduced us to the new sound of Mr. West—autotune and synthesizers as opposed to soul samples and MIDIs. This likely occurred as a result of the recent death of Mr. West’s mother and his inability to express his deepest feelings through rapping alone. Fans were, of course, skeptical at first, but whenever Mr. West sets a trend, it catches on. After its release, autotune became a staple in radio-rap music.
*My Beautiful Dark Twisted Fantasy, arguably Mr. West’s magnum opus, solidified his place as a tier-one musician—not only as a rapper—but as a bona fide composer, a musical genius of our time to rival Bob Dylan in his, and Mozart before him. But we see no more of the pagan consciousness of Mos Def and Talib Kweli. West adopts a whole new entourage—Rick Ross, Kid Cudi, Pusha T, Bon Iver, Nicki Minaj, Big Sean, old Wu-Tang members, and his idol—though not for long—Jay-Z himself.
*In MBDTF, Kanye proved himself to be the equal of Jay-Z, if it were not the case that Mr. Carter was already falling off in terms of his lyricism.
*In Watch the Throne, a War in Heaven that Milton would have applauded, Mr. West effectively toppled Jay-Z from the GREAT throne: he kills his god.
*Prior to MBDTF and into the aftermath of the battle for the Throne, Mr. West surrounded himself with a following of rappers—the G.O.O.D Music crew—as his disciples, and released countless megahits, further solidifying his position as rap’s new father figure.
*Through it all, however, Mr. West never lost the awareness of his Blackness and the role he was expected to play by white America and the parasitic Rap-Jew music industry. Although he is aware of the internal conflict, he seems at loss to correct it, to harken back to a time of Kemet, a time of Zion. He appears, in the mid-New Testament, to be consumed by and assimilated into Babylon:
Inter-century anthems based off inner-city tantrums
Based off the way we was branded,
Face it, Jerome gets more time than Brandon,
And at the airport they check all through my bags
And tell me that it’s random.
…
I treat the cash the way the government treats AIDS:
I won’t be satisfied till all my niggas get it (get it?)
…
As long as I’m in Polo smiling they think they got me,
But they’d try to crack me if they could ever see a black me.
I thought I chose a field where they couldn’t sack me
If a nigga ain’t shootin’ a jump shot runnin’ a tack meet …
(“Gorgeous”)
You know white people, get money don’t spend it,
Or maybe they: get money, buy a business;
I’d rather buy eighty gold chains and go [ignorant]!
I know Spike Lee gone kill me but let me finish …
(“Clique”)
*Finally, Mr. West reveals himself as rap’s Jesus in the album of near-the-same name, released just earlier this year [2013]. It is profound and accomplished in its lyricism, arrangement, production, and intent. The sample of Nina Simone’s “Strange Fruit” in “Blood on the Leaves” alone speaks volumes. Many have said that Mr. West simplified and vulgarized his previously-verbose lyricism on this record, but I think he is simply more controlled and as outspoken as ever:
My momma was raised in the era when
Clean water was only served to the fair of skin.
Doin’ clothes you would have thought I had help
But they wasn’t satisfied unless I picked the cotton myself.
You see it’s broke-nigga racism, that’s that “Don’t touch anything in the store”
And it’s rich-nigga racism, that’s that “Come in please buy more.”
What’you want, a Bentley? Fur coat? A diamond ring?
All you black want all the same things.
(“New Slaves”)
*If these are not the sentiments, the biting satire and scathing truths, of a deeply-conflicted and internally split Black man, then call me Lena Dunham. Because Mr. West is able to express such blunt and directed remarks on a record that will reach tens of millions of American ears, we must acknowledge that he is an artist in control of the message he wishes to spread, that he is learning about himself even as he is telling us about ourselves, and that we as a country are most definitely no longer in the 20th Century.
Given the above analysis [which was written 3 years ago], it remains that during this late-New Testament period Mr. West was slowly loosing control of his Self. It seems now that the maximal inflation of West’s ego during the Yeezus era was bound to be trailed by a decline into near-insanity. Furthermore, the Rap-Jew in Mr. West seems to have gotten the best of his Rap-Pagan at this time, and whether or not the Kardashians, MK Ultra, and the Entertainment-Propaganda Industrial Complex had a whole lot to do with it is anyone’s theory. But I think that the man had simply lost his way, forgot who he was in the midst of fame, had begun praying to mystery gods, and had begun to maintain self-destructive practice.
This analysis of Kanye West illustrates two things for the purpose of our essay’s theme, the return of the Rap-Pagan. The first point is that while the Rap-Jew has reigned on the radio from ~2000AD-present, Mr. West has staged a front-guard against the forces of ignorance which seek to destroy the consciousness of the Black people. Secondly, while this may be the case, he has ultimately [at this time] failed to carry through the mission himself, and his position in the conscious Black community is nullified until he divorces Kim Kardashian.
While the Gospel of Kanye West may or may not be over and done with, the advance-guard of the Rap-Pagans may be just beginning. I tell you—when I heard Kendrick Lamar’s Section.80 in 2011, and the future King Kunta rattled off Rigamortis—I tell you—the Trumpence of Revelations sounded and I discovered that the body undergoing the rigor mortis referred to in the song’s title was the dying body of the Rap-Jew Conspiracy and the white supremacy national complex. I think that Kendrick will reclaim Kemet for the People, if they don’t do him like Pac first!
Stay tuned for the next installment to hear about the significance of staying “Humble” in:
KING KHEM: The Return of the Rap-Pagan, Part II.
A Statement
A Statement from the S.S. National New Syllabus Organization
Djhuti is the architect and Ma’at is the archetype of the ubiquitous and lasting system called the Universe, or the Library. He is the author and She is the Word of the Syllabus for the study of all our life courses. The subject of our study is Nature (nTr).
The True Syllabus is written in the Words of Nature, the scientific notation of reality called medu neter. It is written upon the relics and remains of Sudanese (Nubian), Ethiopian (Kushite), and Egyptian (Kmtic) Antiquity, and in the Culture of the Twa, Akan, Bantu, Batswana, Dogon, Yoruba, Ife, and numerous other indigenous Afrakan systems.
One who obtains knowledge of the Syllabus may organize an institute (i.e., a Lodge, Temple, or School) to fulfill the Greater Objectives of this symbolic archetype for human advancement. The Syllabus is known by its Right and True Measurement of the singular and ancient System by which humanity may attain the model of the Gods on earth. The New Syllabus is an organization founded upon this ancient Order.
The first inquiry which our Founder, the Professor, inscribed under the guidance of Djhuti was called “Origends: A Primer on Singularity and Space-Time Progression” (2012). Djhuti established the Order of the New Syllabus in the mind of the Founder, and the organization first appeared in Crown Heights, Brooklyn, New York in 2014 as The New Syllabus of New York, Local Nos. 1 & 2. This iteration of the Syllabus was dedicated to the research, writing, publication, revision, and development of the publication known as The New Syllabus Recension of Natural Law.
The Objective of the New Syllabus is the unification of the systems, pedagogy, and dogma of the so-called “academic disciplines” of Arts and Science as it has been completely prescribed in the oldest written documents known to Humanity (The model of the Gods of Nature) by the highest, proudest, oldest, and most culturally, artistically, infrastructurally, and intellectually accomplished civilization which has reigned upon the earth: that of the Upper and Lower Afurakan Akka-Nubian-Kushite-Kmtu.
In order to enroll in or found your own Ancestral Mystery School, you may contact Djhuti directly or inquire at your local New Syllabus outpost. To found a school under the New Syllabus, please appeal to the Order by emailing a Statement of Intent to the Director of Syllabus. Please also review the following:
Partial Reading List
Ankh Mi Ra (Let the Ancestors Speak)
Odwirafo Kwesi Ra Nehem Ptah Akan (online publications)
Modimoncho (Blackroots Science)
Dr. Rkhty Amen (The Institute of Kemetic Philology)
Heru Ankh Ra Semajh Se Ptah (contributions)
MaaKheru TEP (Smai-Tawi)
Ra Un Nefer Amen (Metu Neter vols. 1-7, Maat)
Nur Ankh Amen (The African Origin of Electromagnetism)
Neb Naba Lamoussa Morodenibig (Philosophy Podium)
Asar Imhotep (online publications)
Dr. Muata Ashby (The Book of Coming Forth by Day)
Dr. Cheikh Anta Diop (The African Origin of Civilization, Civilization or Barbarism?)
Dr. Theophile Obenga (African Philosophy: The Pharaonic Period)
Drs. Kilimanjaro, Ife & Tdka, with collaborators (Maat, African Time)
Dr. Yosef Ben-Jochannan (Africa: Mother of “Western Civilization”)
Dr. John Henrik Clark (Christopher Columbus and the African Holocaust)
Hetepu. Tua Ra. Tua Seshu. Tua Akhu.
Tua Djhuti, Come Unto Me And Guide Me And Make Me To Act Ma’at In Your Office. Your Office Is More Beautiful Than All Offices… Come To Me, Guide Me; I Am A Servant In Your House. Let The World Tell Of Your Might, That All Humen May Say ‘Great Is That Which Djehuti Has Done.’ Let Them Come With Their Children, To Cause Them To Be Marked As Scribes. Your Office Is A Beautiful Office, You Are A Strong Protector. It Rejoices Those Who Are Invested With It.
(“Let The Ancestors Speak,” Ankh Mi Ra)
Cultures define themselves in terms of the ways their people perceive the cosmos…; the cosmology is the foundational model for life itself.
– Dr. Malidoma Some, “Healing Wisdom of Africa”
Blackroots Science, Chapter 60
Pertinent Information for the Afrakan Kham Unity in Ameraka
by Modimoncho, Motshidi of BaTswana (Citation)
DISCLAIMER: The New Syllabus does not advocate or publish information for the sole outcome of political divisiveness among Amerakan citizens. The NS desires that all persons living under similar national conditions cooperate peacefully with their neighbor toward a better society, regardless of race. The NS also advocates for the spiritual, mental, and cultural Unity of the Afrakan in Ameraka, and the Sovereign Nationhood thereof, to be accomplished when resources meet requirement.
The following is excerpted from Chapter 60 of the book Blackroots Science (2012). Blackroots Science was written by an anonymous Initiate named Modimoncho, who holds the title of Motshidi Griot (Wisdom Historian of the type “One Who Dwells With The Ancestors”) of the Clan of Bakhatla, Tribe of BaTswana. An author bio from the Book’s ISBN website reads:
Modimoncho is a modern-day African griot. He was sent by the elders of his community to America in order to help people of African descent understand the situation they are in today. He was trained for his mission from childhood and was living in the United states until 2008, helping many people comprehend and find answers to their questions. The book he wrote compiles over 4 years from his communications with people online and in person.
Cultural Philosophy, Article 6: Cultural Empowerment
The Cultural Philosophy of the Afrakan in Ameraka
Article 6
Cultural Empowerment using Science, Technology, Engineering and Mathematics
Section 1: Cultural Memory of STEM Excellence Spurs Nation-building Among Afrakans
The concept of western Modern Science is a rhetorical fallacy. It is a methodology that produces results, not because it “discovers” them by some genius of its own, but because it is being mapped upon an already eternally-existing blueprint, or system. That system was scientifically studied, developed, and designed by our ancestors in antiquity (at least 200,000 years ago in southern-central Afraka), written beginning at the unification of Upper and Lower Kmt, and taught to the Greeks in the Temples and to the Semites in Canaan between 330BC-380AD when the Romans declared Christianity the sole official religion of the Empire, thereby outlawing the Kemetic Schools and sending the Temples into foreclosure and destruction.
The so-called scientist/philosopher Aristotle, who supposedly redacted the classical theory of “physis,” was a bandit in the raids of Alexander the Macedonian upon the Kmtic city of Re-qdt in 333AD; Aristotle claimed the Library of “Alexandria” for his School—including all of the books contained therein, which had already been written by African scientists—and proceeded to “find” and “discover” the roots of western natural science, i.e., physics.
Arabs, proceeding from this work during the dark ages of Europe, kept his “scientific method” alive until the translation of Greek works (plagiarisms of African works) in the West which led to the Italian Renaissance and the revival of learning in Europe. Thence you have the “development” of theories advanced by Leonardo Da Vinci and Johannes Kepler on the weights and measures of the planetary motions. From thence Issac Newton, “discovers” the principle of gravity (without which the concept of orbitals could not even have been postulated) ….
I will not go into a detailed account of scientific developments over these 2000 years (much research has already been conducted; see George G.M. James, J.A. West, Dr. Diop, and others); yet let it be plainly shown how the developments of western science proceed directly from exposure to Kmtic scientific knowledge gleamed by Afrakans in antiquity. Finally, to conclude this brief history, Napoleon Bonaparte entered by port of Alexandria into Ottoman Egypt and Syria with 167 scientists and scholars in 1798. They were shortly succeeded by the English in 1801. During these campaigns, an entire civilization’s scientific history and culture was unearthed and carted away to European laboratories and museums. The French occupation of Kmt in 1799, during which their express objective was to “enter the race to industrialize,” is the direct cause of the first and second Industrial Revolutions and the development of electromagnetic, general relativity, and quantum theory.
Yet what do we do presently with this information? It is one thing to know that the people who have been masquerading all this time as the arbiters of civilization have been blatantly lying, but what kind of reparative steps are we going to take as a nation to correct this wrong?
The simple and plain answer is that we are going to learn, study, research, develop, and apply the sciences and technologies which our ancestors used to construct their civilizations. How are we going to discover their true sciences, you may be wondering. Well—it is literally written on the walls!
We must shed the biases which academia has sewn in our paradigms regarding the advancement of ancient civilization. You cannot empirically call a people who habitually constructed 40-story buildings in geometrical, astrological, and geodesic alignment using 15-ton stones as “naive,” “misguided,” or “superstitious.” Likewise, an investigation of mdu-ntr scriptures will reveal that the function of these symbols are as much related to the International System of Units in electrical-engineering notation as to a simple alphabet. The effectiveness of this notation system, however, is that the signs are legible on both systemic levels depending on the adeptness of the reader. What we must all learn is how to read the mdu-ntr as a blueprint to for real, applicable scientific function.
The most evident and abundant scientific subject matter recoded in the mdu-ntr is electromagnetism. This is reasonable considering that in the Cosmology, matter comes into being first as magnetic energy which then generates and conducts electrical energy into a physical capacitor, from which transmissions of energy or information are stored in batteries or conducted through bodies. Electromagnetism also proves to be the most important science both when dealing with practical power generation (as for a house or city) and spiritual transmission (as from body to body). Therefore, electromagnetism, both as it is known in Modern Science and in Ancestral Antiquity, is the fractal root science for understanding quantum mechanics (sub-atomic), organic chemistry (atomic and crystalline), biology (molecular and compound), physics (material), astronomy (solar-systemic), and cosmology (universal-systemic). All of these frameworks describe the operation of the same system in difference scales. The function of their components and the ratio of their weights and measures within and across to one another is the same. Therefore we will investigate the symbolism and implications of electromagnetic scientific notation in mdu-ntr theory.
Section 2: Hand-held Oscillator to Become Widespread in Post-Western Society
Afrakan Tech-knowledgy to Reproduce Ankh-brand electromagnetic oscillation device
All melanin-rich people should be acclimated to the use of a handheld oscillation device called an Ankh. It will be the iPhone of the future. This device will enable the user to align and attune the frequency of their body’s magnetic field to the magnetic field of the solar-earth-system. It will do this by harnessing and transmitting radiant waveforms from the atmosphere through the body of the user. Because it operates on waves, the Ankh will also be able to receive and transmit radio waves carrying audio and visual information into the senses of the user. It will also be able to receive and store lightwaves for ambient illumination. Another name for this device may be the “Light Scepter.” In short, the Ankh is a device that registers and transforms waveform transmissions of energy or information for application using an oscillator.
The oscillator in the loop of the Ankh device will be able to harness, receive, produce, and transmit an oscillating sine- or square-wave of electricity or other waveform signal using an electric circuit located in the shaft. These oscillators will convert direct current (DC) from an ambient power supply to an alternating current (AC) signal. In the mdu-ntr scriptures, the Ankh symbols are always used to mean vitality or life, and are shown being given by the Aten capacitor Sun disk to the Neteru or from Neter to Human or Neter. This signifies that the oscillation principles which animate the Ankh are the very secrets of life itself. The sine-wave is signified by the Wedjat serpent. Thus human life may be empowered and amplified by harnessing the free-energy-generating oscillatory function of the Ankh device.
The Ankh shall be constructed using a two-way circuit made of magnetic lodestones or conductive metal. This circuit shall be housed inside of an insulatory material which will serve as a handle. The circuit will emerge from the top of the handle with the positive and negative terminals extending away from each other at 180-degrees and terminating at a crystal or metal terminal; this will form the crossbar of the Ankh. The shaft is composed of the two-way circuit medium enclosed by insulation and the crossbar is composed of the two exposed terminals of the circuit, attached to an amplification element. The circuit terminals may or may not be directly attached to the Ankh “womb” or loop. This circular loop shall be the main oscillatory component of the device. The loop may be coiled or solid metal, although a coil will be more sensitive to vibrations and will amplify the frequency. When held by the handle, the Ankh will receive ambient transmission of electromagnetic waveforms through the loop which will resonate at the given frequency, transmit the current into the positive terminal, through the handle, the user, and out the negative terminal, and back into the loop to continue the cycle. This will produce a steady current of energy which will empower and stabilize the user’s mental and physical health. The Ankh may also be placed upon a power source like one’s home Djed pillar with its circuit (extending from its base) attached to the terminal of the battery pile in order to conduct a current into the Ankh which will produce light in the loop. Different constructions of Ankhs may be designed specifically for light, radio transmission, alignment, etc.
Section 3: Melanin a Natural Semiconductor of Electrical Impulse
Lead (II) oxide, or Galena stone, is a crystal which, to my understanding, is the best and most efficient structural crystallization of the light spectrum. I have also heard of certain forms of carbon having this property. I understand that this Pb mineral occurs in the ionosphere and is one of the ways in which ionic activity is registered and stabilized on a molecular basis. I intuit that when ionization of the air in the ionosphere reaches a certain threshold of charge, the physical register of that charge may become “dense” and fall to earth along an ambient current. I intuit that this medium is lead or carbon, and is accumulated in the earth’s strata over time as galena, coal, carbon, etc. This mineral, whatever it is, is black in color, because black is the only color that can register the entire light spectrum which is being transmitted from the sun into the ionosphere. Therefore black substance, or the ionic dust of space (called by the ancients Ka), becomes lodged in the earth and makes its soil black. This same mineral also accumulates as a granule in the epidermal layer and inner organs of indigenous human beings, who are made from the earth. Therefore what is presently called the melanin granule is in fact the sediment of ionic dust which has fallen from “heaven,” and which carries the information of pure light which is transmitted by “God” (the Forces of Nature [Neteru]) into bodies. Because the granules are made by the ionization of elements in the upper atmosphere, they are directly produced by the radiation emitted by the sun and they therefore operate as semiconductors of the sun’s electromagnetic energy. As a semiconductor, this ionic dust operates as a crystalline medium through which electromagnetic energy can travel. It is this substance which the Mer pyramids will be manipulating when they acquire electrical charge from ambient space. It is this sediment of black space which lines the skin of all indigenous human beings.
The indigenous human being is effectively a semiconductor of lightwave energy. This true, original human being is a black crystal which can conduct the electromagnetic transmissions from the sun to the earth and back again, like an antennae. The substance within the true human being which allows them to do this is the black ionic substance which lines their skin and is deposited in their organs. This black substance receives information about the operation of living from the capacitor of all life in the solar system: the sun. Therefore, the true human is as much a part of their own power-transmission system as a circuit or a battery. It is for this reason that the oscillating Ankh device will align the true human user with the frequency of the earth and cosmos: because the oscillation-loop will receive the frequency being transmitted through the atmosphere, and the user, holding the loop by its handle, will conduct this frequency in their body along the conductor of their skin and organs. The frequency will register in the body and align all the melanin granules in the same direction as it is being transmitted through the organs. This will enable the human being to transmit the ambient signals directly though their body and into their minds, even without the amplification assistance of the oscillator. Yet the Ankh device will always be useful as a method for harnessing and amplifying any waveform transmission of energy. Even independently of the physio-spiritual human implications, it will at the very least prove effective as a mobile wireless light, battery, telephone, radio, radar, or fulfill any current electrical function.
Section 4: The Magneto-Electric Reactor (MER) Tower and ATEN Capacitor
(Please feel free to omit if you have no interest or background in STEM fields. The Author himself has no formal training in STEM fields, but a great interest in the intellectual relationship between traditional African cosmology and physical/energetic reality. This sub-section is an attempt to harmonize modern applied science and electrical engineering to the historical presence of ontological natural philosophy in Kmt, and the possible applications of their infrastructure. The Author strongly welcomes formal scientific criticism of these propositions. If the scientist finds that these explanations of possible Kmtic Power Systems are unfounded, false, or physically impossible, let them engage alternative hypotheses toward the realization of these functions before immediately writing off the entire science as mysticism. Simply because our modern scientific understanding may not allow the functional reality of these theories does not mean that they are in fact unreasonable or unrealizable; perhaps we need simply improve our understanding. Either way, let this paper be a playground for the critical and scientific mind.)
The following proposal uses (1) the visual systemization of mdu-ntr glyphs found in papyrus, relief, and inscription, and (2) the construction and alignment of Kmtic structures and edifices to make interpretations about electromagnetic engineering systems which may have been employed in antiquity for the purposes of clean, reusable energy for all people, and the true health and functionality of the electromagnetic fields of people, places, and relationships. Our hypothesis is that civilizations of antiquity harnessed free energy from the ambient atmosphere of the earth and employed it to empower their populations. The simplest, most abundant, and most easily accessible form of energy is an electron in motion, called electricity. This section will explore how it may be possible to harness energy from the electrons which are moving in the molecules in the air around us all the time.
The closest that western science has come to effectively applying the Kmtic Electrical Theory to their devices is in the work of Nikola Tesla. I must study more on the mechanical designs of this engineer, but from what I understand, he was able to intuit a wireless free-energy transmission system from the structure and material of Kmtic edifices. I do not have any proof of Tesla’s direct knowledge of Kmtic science, but he is quoted as saying that there is a universal source of all knowledge, and that he had not yet penetrated into it, but that he knew it existed. Whether he did, or did not, know the exact secrets of the ancients firsthand, it appears that he was attuned to the very frequency from which they received their knowledge of mechanics. Therefore, he was able to construct an electrical magnifying tower called Wardencylffe whose construction and function was identical to that of the pyramid complex at Giza.
From my understanding, the pyramids (or, meru plural of mer) have numerous functions. These functions may be classified as either Structural or Energetic, otherwise called physical and spiritual functions. An example of a structural function would be to represent true, constant Measures in its dimensions; for instance: the height of the great pyramid was originally 149.4 meters while the distance between the earth and the sun is 149.4 million kilometers, the area of its square base divided by his height is 3.14 while that same measurement is equivalent to the area of a circle divided by its diameter. Another structural function is that the Mer Menkaure, Mer Khafre, and Mer Khufu are all precisely aligned with the Constellation of Orion. This may have also influenced another of the building’s structural functions, which was to preserve the life of, or revive, the dead or dying and also to transmit their consciousness, upon physical death, to Sirius B.
An example of the energetic function of the Mer, and that which we will be focusing upon in this Plan, is its power to transmit electric current from the peak to the base and from the base to the peak. With a gold (or otherwise metallic) capstone (or benben) the Mer can harness free-energy from the ambient atmosphere in the form of electrons attracted out of their ionized molecules toward the charged metal. These electrons may be obtained from the local atmosphere, or from the ionosphere which lies far above the surface of the earth but which contains the highest electron-density of any atmospheric layer.
Tesla understood that there is a tremendous amount of radiation that is transmitted from the sun to the earth’s atmosphere, which forms ions in the atmosphere, is gathered in the ionosphere (which is the outer limit of the earth’s magnetic gravitational field), and is transmitted to the surface of the earth by natural air currents much like underwater currents. There is more than enough energy in the ionosphere to power all of the world’s electrical devices forever, thereby eliminating the “need” to burn fossil fuels or otherwise incur disproportionate waste-to-use of natural resources. This “free-energy” was the key to the Ancients’ use of electricity, and is the key to the modern world’s freedom from dirty energy. (See also Wind, Solar, and “Zero-Point” energies as methods of harnessing atmospheric/weather conditions for power.)
Therefore electricity is a state of matter as obtainable and controllable as water—if one knows the source of it and in which direction it is moving. Therefore, just as below the pyramids water was channeled and controlled as by an aquifer through a system, so above the pyramid waveform electricity is channeled and controlled by an adjustable magnetic field. As such, it can transmit low-weight waveforms of any frequency, from electrons to radio to telephone. Hence why waveform signals codifying vocal and visual communications may be transmitted from one remote tower to another in our modern day; the frequency of the tower’s receivers are aligned to one another and a current is sent between them upon which the waveform-information is carried. Tesla’s Wardenclyffe was a Mer, or modern pyramid made of steel instead of limestone. It was a magnifying transmitter tower that could accumulate charge from the static electricity of the atmosphere and transmit that electricity, as well as any wireless internet-type communication, across the earth in this manner.
The Tower, or Mer, will have its capstone or peak in the ionized air which, by way of its movement, will act as a conductor of electromagnetic waveform signals. The dense air below may act as an insulator, while the earth below that may act as another conductor. These Mer-towers may be placed in strategic locations upon the earth to create a vector equilibrium in which the power being transmitted through the system might stabilize itself in a crystalline form across the earth, neither diminishing nor exceeding.
We must study the nature of the Aten disk, or Sun, as a “power generator” for the earth, or, more accurately, as a capacitor used for storing electrical energy within the electromagnetic field of the solar system. It seems to my understanding that there is no power generator in the universe, since the amount of energy therein is controlled and fixed, differing only by ratio across contiguous magnetic fields. Therefore, it seem reasonable that power generation is only an appearance that results from activating or releasing power from another source in which the power was either inert or being temporarily stored (as in coal). The power needed to release the target-energy-store is disproportional to the amount of energy ultimately being used from the store as a result of the reaction; therefore using fuel for power results in so much waste and pollution. An infinitely better approach would be to access energy which is already in a usable and transmittable form: ions/electrons. Since the Industrial Revolution we have been going underground for our fuel: oil, gas, and coal; we have foolishly been using solid substances in which energy is imprisoned (in a prism or crystalline structure). The Ancients, by way of their infallible scientific method, always used the most energetically efficient methodology to accomplish any task, or reaction; therefore, they intuitively understood the profit in accessing ready-to-use electricity directly from the atmosphere rather than using chemical batteries from the substrata to unlock their potential.
The Sun, then, is merely a capacitor which acts as a register of the total amount of electromagnetic energy running though the field-system. The size of the sun is always proportional to the size of its solar system based on a factor of current-density to field-area. It is like the size of a nucleus being proportional to the size of an electron cloud because the number of protons posits the number of electrons and vice versa. The earth is an electron to the nucleus of the sun. Just as the electromagnetic force (which bends the negative outer field of the atom into the positive center) sends the electron “information” relative to its position around the nucleus which tells it in which direction to orbit, so the gravitational force (which bends the “negative” field of the earth’s motion into the positive field of the sun) sends the earth waveform information signals relative to its position around the Sun which tell it in which direction to orbit, along which numerous other bits of information regarding generation, life, and weather patters. The Sun sends the earth information through the forces of attraction which bind them together in orbit. This information is sent as waveform transmissions and is registered in the charging of particles in the ionosphere. The natural currents operating between the charged earth and the charged atmosphere conduct the ionic information from the atmosphere into the bodies upon the surface of the earth. The Mer-tower amplifies the charge on the surface of the earth using a triangular construction and some type of metal so that it can increase the difference in potential between itself and the electrical source which it wants to access, causing the source to discharge its electrons into the metal to be conducted into a capacitor. This will enable the Mer system to efficiently receive ambient transmissions from the ionosphere through its capstone, conduct it into a store of energy at its base, and release it back up to its capstone where it will either send the information to another Mer-tower, to the ionosphere, or to another star system like Sirius B (if the transmitter and receiver are aligned and sufficiently empowered).
According to my understanding, the Mer can not only receive, harness, and transform transmission from ionic currents but also from the waveform sun rays (photons). That is to say that the Mer-tower may function as a solar power plant as well as a radio tower. The surface faces of the sides may be coated with solar panels, or some other light-registering cell. Further structural functions that had energetic implications: (1) the pyramids were coated with limestone (which acted as an insulator to keep energy inside) (2) granite lined the shafts, causing ionization of the air (conduction of electric charge) (3). due to aquifers (water channels underground) below the pyramids, electricity was transmitted by way of additional channels to the pyramids from the moving water.
A Note: modern scientists and engineers often “debunk” these theories of power generation in antiquity. We as students are not to give upon on our research in light of this disbelief, but to strive further toward the proof that this system can operate. Because—clearly—is has done so.
Nur Ankh Amen writes in The African Origin of Electromagnetism how the “shrine” is a scriptural symbol for a capacitor which, coated in gold, carried an electrical charge which was hot to the touch: hence you have biblical accounts of “the wrath of God” being “kindled” against those who touched the shrine without proper ritual (discharging procedure). In order to properly discharge a shrine, the engineer needs a ground-switch or Was scepter; the Set-head of the Was lies against the shrine and the hooked loop grounds the charge of the shrine to some circuit. Such a shrine shall be placed at the base of our Mer-tower, where our acquired energy will be stored. This will be the primary storage unit of electrical energy in the complex. I must study more about the layout of a power plant, but it seems to me that we then need what the ancients call Djed pillars. Djeds are electrochemical batteries which carry a given charge of power. They are made by alternating sheets of different types of metal between acid-soaked paper or medium so as to create a mineral-acid pile. Some of these may be constructed very large, like great pillars, and connected to the capacitor along an avenue. There may also be home-sized Djed piles and portable Djed staffs designed for people to store and carry power back and forth from their home to the Plant.