Tagged: register

D.R. 02-01: Israel-Hamas (III)

Volume 2, Issue 1

The Sense of the Congress:
A Special Report

UNRWA’s Palestinian curriculum a primary concern of the U.S. Congress

By Antarah Crawley | Last Modified 1/31/24 at 12:35 PM

Video: A. Crawley

WASHINGTON, DC — On 19 October 2023 and 8 November 2023 this outlet published articles on the United States House of Representatives’ (House) response to the Israel-Hamas War and particularly their deeply serious concern with the curriculum and textbooks used by the United Nations Relief Works Agency (UNRWA) to support their mission of educating students in the Palestinian Territory.  UNRWA performs numerous civil society and traditionally-state-sponsored activities for the Palestinian population, and is responsible for the public education of civilian students.

The live broadcast of the joint subcommittee hearing.

On Tuesday, 30 January 2024, the House Foreign Affairs Committee Subcommittee on Global Health, Global Human Rights, and International Organizations and Subcommittee on Oversight and Accountability jointly convened a hearing entitled “UNRWA Exposed: Examining the Agency’s Mission and Failures,” largely in response to news that 12 UNRWA employees had been fired for their participation in the October 7, 2023 “Hamas terrorist attacks on Israel.” The gallery of the hearing room in House Visitors Center room 210 was filled to capacity.

The witnesses were:

  • Richard Goldberg, Senior Advisor, Foundation for Defense of Democracies
  • Marcus Sheff, Chief Executive Officer, IMPACT-se
  • Hillel Neuer, Executive Director, UN Watch
  • Mara Rudman, Schlesinger Professor, University of Virginia Miller Center

Mr. Mast (R) of Florida presided as Chairman of the Subcommittee on Oversight, etc.; Mr. Smith (R) of New Jersey presided as Chairman of the Subcommittee on Global Health, etc.; Mr. Crawley (AM) of United Scribes and Court Reporters United reported on the proceeding on behalf of the House Clerk’s Office of Official Reporters.

Present in the audience were at least 15 constituents of the Code Pink: Women for Peace (CODEPINK) organization. They wore pink shirts bearing the phrase “Let Gaza Live,” and during much of the hearing they displayed red paint on their palms while making what could be interpreted as the Master Mason’s Grand Hailing Sign of Distress (and certainly many a besieged Palestinian would be wont to cry out, ‘O Lord my God/Ya’Rabbi Ya’Illah, is there no help for the widow’s son?’). Also present in the audience was a constituency of pro-Israel women wearing black shirts that read “Stand with Israel”. One of them in particular (the one to the far left of the below photo [the one staring directly at me]) was particularly antagonistic against CODEPINK, repeatedly summoning Capitol Police officers to arrest those who spoke out.

Photo: A. Crawley

The Chairman of the Subcommittee on Oversight, Mr. Mast, remarked in his opening statement:

Wherever you see UNRWA facilities, including schools, in Gaza, you are almost guaranteed to find tunnels, rocket launchers and weapons storages. During Israel’s incursion into Gaza, Israel Defense Forces uncovered a variety of rifles and ammunition hidden under UNRWA institutions.

Brian Mast (R-FL)

Al Jazeera reported in a 20 November 2023 article entitled What Israel’s video of ‘Hamas tunnel’ under al-Shifa tells us; The structure of the tunnel raises questions about whether it is indeed a Hamas-built pathway:

Tunnels in Gaza were first built in 1980 at a time when the enclave was under Israeli occupation, and before the formation of Hamas in 1987. They were constructed under the Egyptian border for smuggling all sorts of goods, including weapons, fuel and black market goods.

Over time, Palestinians realised that tunnels could have a military use. The first sign of the military use of tunnels was in 2001 when an Israeli military post was blown up with an explosive from underground. The tunnels entered Israeli public consciousness when Palestinian fighters emerged from a tunnel shaft and kidnapped Israeli soldier Gilad Shalit in 2006.

Israel placed a blockade on the Gaza Strip after Hamas gained control of it in 2007. Tunnels became the means to bypass the siege and to transport food, goods and weapons. Under Hamas, the tunnels expanded strategically.

Al Jazeera

The Chairman continued, “We have seen footage and evidence of UNRWA teachers and staff praising and celebrating the October 7 attack on social media, referring to the attack as an unforgettable glorious morning and a splendid site.  We read reports that at least 12 UNRWA employees directly participated in the attack.”

During these remarks, an audience member representing CODEPINK proclaimed, “It’s 75 years of occupation that has caused all of this and now it’s the starving starving people, 2 million people starving right now.” The CODEPINK member was led away by the Capitol Police while advising the officers, “Okay, don’t hurt my arm … I am 77 years old. I am an Army colonel; I am a retired diplomat and what the U.S. is doing — the Biden Administration is doing is [tantamount] to genocide.  It’s a genocide that the Biden Administration is complicit in. The Biden Administration … is killing people just as the Israelis are. It’s our weapons, it’s our money … that’s doing this. And the money for UNRWA is very important to keep people from starving to death after trying to kill them all.” Numerous members of CODEPINK were arrested by Capitol Police officers for acts of civil disobedience and free speech.

On 26 January 2023, UNRWA Commissioner-General Philippe Lazzarini reported from Amman, Jordan:

The Israeli Authorities have provided UNRWA with information about the alleged involvement of several UNRWA employees in the horrific attacks on Israel on 7 October.

To protect the Agency’s ability to deliver humanitarian assistance, I have taken the decision to immediately terminate the contracts of these staff members and launch an investigation in order to establish the truth without delay.  Any UNRWA employee who was involved in acts of terror will be held accountable, including through criminal prosecution.

UNRWA reiterates its condemnation in the strongest possible terms of the abhorrent attacks of 7 October and calls for the immediate and unconditional release of all Israeli hostages and their safe return to their families.

These shocking allegations come as more than 2 million people in Gaza depend on lifesaving assistance that the Agency has been providing since the war began. Anyone who betrays the fundamental values of the United Nations also betrays those whom we serve in Gaza, across the region and elsewhere around the world.

Philippe Lazzarini, UNRWA Commissioner-General

On 26 January 2024,  Al Jazeera reported:

The US Department of State said it was troubled by the allegations, which it said pertained to 12 UNRWA employees. It said it would provide no additional funding to the agency until the allegations were addressed.

The Department of State has temporarily paused additional funding for UNRWA while we review these allegations and the steps the United Nations is taking to address them,” spokesperson Matthew Miller said.

Al Jazeera

The Chairman continued his opening remarks, stating, “Make no mistake; the attacks on October 7 did not happen in a vacuum. The sickness on display from UNRWA is rooted in something deeper within its structure and mission. It’s rooted in the double standard the world applies for them, from their definition of refugee to the hatred they teach the Palestinian children –“

During these remarks, another audience member from CODEPINK rose to their feet to proclaim, “Please do not defund UNRWA. It was established in 1948 for the refugees of Palestine. If you unfund UNRWA, it’s a death sentence. They’re already starving. Please don’t defund UNRWA!…”

The Chairman of the Subcommittee on Global Health, etc., Mr. Smith, remarked in his opening statement:

Pubic pressure motivated by explosive new evidence that UNRWA employees were directly involved in the October 7 Hamas terrorist attack on Israel, the Biden Administration last Friday as we know announced that it was ‘temporarily paused’ additional funding for UNRWA while it reviews the evidence. With all due respect to the President this was a long overdue response. Going far beyond the revelations of last week, however, there has been a long list of massive and irrefutable evidence of UNRWA’s extensive complicity and cooperation in Hamas’s antisemitic genocidal hate campaign. Like the Nazi’s before them, Hamas and their chief terrorism sponsor, Iran, they are committing genocide against the Jews.

Chris Smith (R-NJ)

The Chairman continued:

…[T]hese children from the earliest days of their lives are trained in hate for Jews and for Americans. Now we’ve heard how UNRWA’s textbooks, curricula, summer camps and official media are all infamous incubators of hate. And we’ve seen the evidence of its teacher’s administration’s involvement in — with Hamas.

Chris Smith (R-NJ)

During these remarks a male audience member dressed in a military-style black jacket rose and proclaimed, “You have blood on your hands! Shame on you! This is a genocide! You are starving children and people to death. This is a genocide and you are responsible for it. Shame on you! … Ceasefire now! You are killing people; you are killing innocent people … We will never forgive you for this … Shame on all of you…”

The Chairman responded to the outburst:

They don’t make their case.  As you can see, the hatred coming out of that particular man is so sad.  UNWRA, the UN Relief Works Agency was set up as we know in 1949 to provide aid and relief to refugees.  75 years later it’s still going, which is absurd, in a way, since nearby Arab nations will not permit the former to integrate into their societies. UNRWA provided education in hatred of Jews for the vastly expanded number of children, grandchildren, and great grand-children of the original refugees. UNRWA’s textbooks — and I’ve had meeting after meeting on this, including hearings — where we’ve actually read through the text books, full to overflowing with antisemitic hatred.

Chris Smith (R-NJ)

Witness Mr. Goldberg remarked:

Now when you look at the incitement of violence that has gone on for decades, the internalization in generation after generation to rise up and believe that they are refugees waiting to come back to what is today Israel to drive the Jews into the sea, October 7th is the logical conclusion of UNRWA. It is of course what they have been training generations to do with the resources we have provided going to these terrorist organizations to help carry out that mission.

Richard Goldberg

Witness Mr. Sheff remarked, regarding the fired UNRWA employees:

These are not a few bad apples. Rather, the institutional barrel is rotten. How do we know? We know by researching UNRWA’s educational infrastructure. In it, textbooks teach that Jews are liars and fraudsters who spread corruption which will lead to their annihilation. Students are taught about cutting the necks of the enemy; that a fiery massacre of Jews on a bus is celebrated as a barbecue party; that Dalal Mughrabi, who murdered 38 people and 13 children, is a role model. UNRWA educated that dying is preferable to living; that becoming a martyr will be rewarded in heaven. First graders are taught the alphabet by learning the words for attack and martyr. And fourth graders are taught addition by counting martyrs. These are just a handful of examples of incitement which run like a thread, as strategy, throughout the Palestinian curriculum which is taught in UNRWA schools. And our research shows the same violent jihadi educational materials are created on a large institutional level by UNRWA staff. … IMPACT-se has warned for years about the consequences of this hate education, and I ask you, what can UNRWA possible offer the next generation of Palestinians? Poisonous textbooks taught too often by extremist teachers?

Marcus Sheff
Lebanese-Palestinian revolutionary militant Dalal Mughrabi

Mr. Sheff later remarked:

Textbooks are uniquely authoritative, especially in the Manna region, in the Middle East, where you get one book, one grade, one subject; and they carry the values, the identities that leaders wish to pass down to the next generation, for good or for bad. This is how we create the societies of the future that we want to see, through these textbooks, through education. … We know that one of the first things that Hitler did when he came to power was change the textbooks.

Marcus Sheff

Mr. Goldman remarked, in response to a question my Mr. Moran (R) of Texas regarding any prior removals of UNRWA teachers, that he recalled “a case of a headmaster of an UNRWA school who was moonlighting as an Islamic jihad commander. He was removed by an Israeli air strike.” His remarks drew uproarious laughter from the pro-Israel audience members and representatives. Mr. Moran replied, “Well that’s one successful removal,” and went on to ask if there was “any part of the educational curriculum or programming that is overtly pro-American or pro-Israeli, that teaches the benefits for democracy?” (The present author has presented this question for rhetorical purposes.)

In one of his last remarks, Mr. Goldberg discussed the United Nations’ inherent systemic structural bias against Israel, which Mr. Hill (R) of Arkansas interpreted to mean that “the UN itself is the most antisemitic organization on the planet,” to which Mr. Goldberg replied “100% correct.”

It is notable that:

[I]n 1917, British Foreign Secretary Arthur Balfour sent the Balfour Declaration to Lord Rothschild, a leader of the British Jewish community, stating Britain’s support for the creation of a Jewish “national home” in Palestine […and] that negotiations on the future of the country were to happen directly between Britain and the Jews, excluding Arab representation. His famous announcement at the Paris peace conference would reflect this interpretation, stating that the goal “[t]o make Palestine as Jewish as England is English.” The years that followed would see Jewish-Palestinian relations deteriorate dramatically.

In 1918, the Jewish Legion, a group primarily of Zionist volunteers, assisted in the British conquest of Palestine. In 1920, the territory was divided between Britain and France under the mandate system, and the British-administered area (including modern Israel) was named Mandatory Palestine. Arab opposition to British rule and Jewish immigration led to the 1920 Palestine riots and the formation of a Jewish militia known as the Haganah (“The Defense” in Hebrew) […] In 1922, the League of Nations granted Britain the Mandate for Palestine under terms which included the Balfour Declaration with its promise to the Jews, and with similar provisions regarding the Arab Palestinians.

[…]

Under the British Mandate placed by the League of Nations after World War I, Jewish immigration to the region [of Palestine] increased considerably leading to intercommunal conflict between Jews and the Arab majority. The UN-approved 1947 partition plan triggered a civil war between these groups which would see the expulsion or fleeing of most Palestinians from Mandatory Palestine. The British terminated the Mandate on 14 May 1948, and Israel declared independence on the same day.

On 15 May 1948, the armies of five neighboring Arab states invaded the area of the former Mandatory Palestine, starting the First Arab–Israeli War. An armistice in 1949 left Israel in control of more territory than the U.N. partition plan had called for; no new Arab state was created, as the rest of the former Mandate territory was divided between Egypt, which occupied the Gaza Strip, and Jordan, which annexed the West Bank. The 1967 Six-Day War ended with Israel occupying both the West Bank and Gaza alongside the Egyptian Sinai Peninsula and the Syrian Golan Heights. Israel has since effectively annexed both East Jerusalem and the Golan Heights, and has established settlements across the occupied territories, actions which are deemed illegal under international law.

Wikipedia: Israel (retrieved 30 January 2024)

Mr. Issa (R) of California closed out the questioning by stating “that the record of UN is poor and that we must change the teachers of the next generation of Palestinians,” a statement to which no witness disagreed (with the possible exception of Professor Rudman who was the only witness to present a balanced viewpoint during the entire hearing).

These developments in the Congress’s assessment and treatment of educational curricula abroad presents serious concerns about the future of public school curricula in the United States. It highlights the increasingly important role of NOVUS SYLLABUS L.L.C. (N∴S∴), Universitas Autodidactus (U∴A∴), and United Scribes (U∴S∴) in administering a worldwide Political Education Bureau (Politburo) and publishing curricula for the development of self-knowledge, self-mastery, and self-determination. In the words of the Moorish Science Temple of America and 5% Nation of Gods and Earths, ISLAM means “I Self Law Am Master“.

Resources

© MMXXIV BY NOVUS SYLLABUS L.L.C.
ALL RIGHTS RESERVED WITHOUT PREJUDICE.

D.R. 01-04: Amendments

Volume 1, Issue 4

CONTENTS — ART. 1. VALUE IN ART 1START. 2. WATER THEORY 1ST

Article 1

Amendment to “Value in Artwork”

by Antarah Crawley

At Art¢oin:\>_Theory and Methodology\Value in Artwork, strike “the person of the artist, the execution of the artist, the intention of the artist, the attention of the artist, the subject matter content of the work, the medium of the work, the lifetime of the work, and the effect upon the viewer” and replace with “artist’s time on the scene, artist’s repertoire, and number of solo and group exhibitions.” Other factors in the appreciation of art include size, subject matter, and time period.

Furthermore, with regard to the valuation of artwork, a sellable artist is a “known commodity.” Appraisers buy low and sell high; they take an average of sale prices over the years to make appraisals. Utilize platforms like Artsy, Artnet, and Invaluable. Also see, “square foot pricing” of art works.

Article 2

Amendment to “Water Theory of Capital”

by Antarah Crawley

At Art¢oin:\>_Theory and Methodology\Water Theory of Capital, add:

3.0. Can trade (i.e., exchange, change hands; revenue, change venues) (1) real (landed) estate (includes people), (2) consumable goods (commodities), and (3) securities (fungible negotiable instruments) using (4) a medium (an agency, vehicle, or instrument) of exchange.

3.1. A current medium of exchange is liquid in circulation (legal tender) secured by something of value (currency).  A current account is a storage or depository account that can be drawn upon on demand of the named account holder, but which is “secured” (fixed so as to not be easily moved) by a trustee. The storing and safekeeping of securities is a matter of “public safety”.

3.2. Live stock and real estate, as opposed to consumable goods (commodities), secure the public debt on private bank ledgers. Securities are “advertisements for live stock in bondage sold on the banks of the river.” When analyzed word for word we find the following objective correlative:
3.2.1. Advertisement = offer for acceptance
3.2.2. Live = circulating current (as of ions, blood, or breath)
3.2.3. Stock = cargo, negotiable instrument
3.2.4. Bond = debt obligation
3.2.5. Sold = exchange, revenue (to circulate)
3.2.6. Bank = the land sloping down to a body of water, or any slope, mound, or mass, or the action of heaping (a substance) into such a mass
3.2.7. River = flow of commerce; current “C”

© MMXXIII BY NOVUS SYLLABUS L.L.C.
ALL RIGHTS RESERVED WITHOUT PREJUDICE.

D.R. 01-01: To Publish…, &c.

Volume 1, Issue 1

CONTENTS — ART. 1. N∴S∴ TO PUBLISH ART BOOK…ART. 2. ORGANIZATION OF N∴S∴

Article 1

N∴S∴ to publish art book for IBé Arts Institute

By Antarah Crawley

WASHINGTON, DC — IBé Arts Institute of Historic City Point in Hopewell, VA, has partnered with NOVUS SYLLABUS L.L.C. (NS) to publish the first artist’s book cataloging the work of master teaching artist and storyteller IBé Bulinda Hereford Crawley

Crawley at EUREKA! House in New York. Printing assistant Aurora Brush can be seen to the left. Source: https://eurekaeurekaeureka.com/EUREKA-1

New Syllabus Director Antarah Crawley and IBé Crawley have maintained an arts education partnership since September of 2016, when the New Syllabus relocated from New York to DC. At about that time, IBé Arts and Education LLC was established in Historic Anacostia, Washington, DC. Together, IBé Crawley and the Director have published the SSTEM curriculum and the ParenTeacher program

The opportunity to publish IBé Crawley’s first artist’s book presents a great opportunity for NS to communicate its overarching mission, vision, and values through its commitment to honoring our elders and ancestors, and amplifying the voices of Black Woman artists.

The Arts and Education Institute in Hopewell, Virginia. Source: I. B. Crawley.

The IBé Arts Institute is an art space dedicated to visual and oral storytelling.  The historically significant building was built in 1830 as a schoolhouse for white men, and later used as a hospital for soldiers during the Civil War. 

Today, it serves as IBé Crawley’s private studio gallery and workshop. Consistent with the mission to preserve and document stories,  the exhibition hall, art studios, and residency space are available for individuals to host workshops, family events, and professional development programs.  IBé Crawley assists in planning preservation projects and leads intimate and informative tours of the Institute and the surrounding City Point Historic District. 

Contact ibe.crawley@gmail.com or visit ibearts.org for more information and to coordinate an event. 

Source: I. B. Crawley

In 2022, IBé Crawley printed a 58-copy edition of Antarah Crawley’s Harriet Tubman 2021 Non-Fungible Note from a copper plate he engraved by hand. Printer Aurora Brush assisted IBé Crawley in the intaglio printing process during her residency at the Women’s Studio Workshop (WSW) in Rosendale, New York.

Harriet Tubman 2021 Non-Fungible Note by Antarah Crawley.

The IBé Crawley publication will coincide with the 2023 fall exhibitions Holding Ground at the National Museum of Women in the Arts’s (NMWA) in Washington, DC, and The Calling at City Lore in New York City.  Within its pages will be catalogued four of Crawley’s artist’s books: 11033, Delia Posey, Bearing Witness, and A Dwelling for Her Story.  Each chapter will present a different category of art work, together with descriptions, articles, quotes, and images.  

Into Fall 2023 and beyond, IBé Arts Institute will strategically focus on:

  • Paper making
  • Print making
  • Book binding

IBé Arts Institute aspires to become a Virginia folk book press “center of excellence”.  This is the first initiative in what the Institute and NS plan to be a bright new era of programs, projects, and partnerships.

Source: I. B. Crawley

Article 2

The Organization of the New Syllabus

By Antarah Crawley

1. HISTORY

WASHINGTON, DC — In 2014 AD, I, Antarah, had a vision of one new syllabus for humanity. This syllabus would chart a course for human understanding of ubiquitous and lasting systems established since time immemorial. I sojourned to Brooklyn, New York, in pursuit of my syllabus, developed a discipline, and professed a doctrine toward the development and operation of human mind software, individually and collectively, and I returned to the Federal City.

Being in possession of such valuable information, I began to process this knowledge and offer certain products and services to the public, toward the establishment of a society of free thinkers, truth speakers, and light workers united (FTLU) in a firm league of friendship called a decentralized autonomous organization (FLF-DAO). To that end, I wrote and recommend policy positions to the FTLU stakeholders. This practice has resulted in the production of a robust and diverse body of multimedia intellectual property which we, the Director and Company, shall distribute throughout the world under the motto of Novus Syllabus Seclorum, meaning “the New Syllabus of the Age.” 

2. ORGANIZATION

Established 2022, NOVUS SYLLABUS L.L.C. (N∴S∴) is a liberal arts and humanities intellectual property holding company specializing in diversified arts investments and management.

Our flagship brand, New Syllabus (est. 2014), is a knowledge management system (KMS) that creates, codifies, organizes, stores, and disseminates information to the public from newsyllabus.org. To that end, it conducts research and development in the broad field of Historic and Ancient Mysteries, Economy, Theology, Informatics, and Systemtheorie (HAMETICS).

NS operates the Department of Information Systems and Intelligence Services (DISIS, pronounced “Diocese”), which is divided into the Archival Records Management (ARM) Division and the Mind Software (Mindsoft) Development and Operating Systems Command (DOSCOM). These are our Curricular Operations, Research, and Publication Services (CORPS) which supply information to the New Syllabus (now known as the DataHorse System or “DHS“).

NS also operates the Ombud Service Bureau (OmbudService, or Office of Ombudsman) for administrative due process, and Syllabus Media Group for audiovisual production and distribution.  

3. VISION

Our Vision is a world of free thinkers, truth speakers, and light workers united under one new syllabus for STEM, arts, and humanities research, development and operations; one new syllabus for the ages!

4. VALUES

Our Values are Love, Truth, Peace, Freedom, and Equity; these are our foundation. Our Three Great Pillars which support our institution are Trust, Faith, and Belief; as it is said, Faith is complete Trust and firm Belief, the acceptance of truth divine, which Belief, sincerely held, cannot be converted into a crime.

5. MISSION

Our mission is to reveal truths which have been hidden and to keep a record of knowledge and wisdom.

NS conducts, manages, and supports curriculum research and development. We represents FTLU through its Office of Ombudsman. We administer intellectual property and copyrights as custodial superintendent for their creator. 

Our mission-oriented service lines are:

  • DISIS (now DHS) for recordkeeping and CORPS operations
  • Mindsoft for cognitive, behavioral, and professional development 
  • OmbudService for administrative operations 
  • Other operations (OPS) include Granary Bank & Trust/Artcoin Mint of Meriptah, New Works Projects Administration, St. Nat’s/OTNS, FTLU, FLF-DAO, and the Syllabus Free Press.  

(Last modified 20 Sep 2023 4 Oct 2023 13 Oct 2023)

© MMXXIII by NOVUS SYLLABUS L.L.C.
ALL RIGHTS RESERVED WITHOUT PREJUDICE.

Art¢oin:\>_Blockchain

PLEASE READ: HERE BEGINS THE VERIFIED RECORD OF $ARTCOIN NON-FUNGIBLE TOKEN (NFT) REAL STOCK ($) AND SHARE HOLDINGS (¢) (HEREAFTER JOINTLY AND SEVERALLY KNOWN AS THE “WORK”). THIS CONTRACT SHALL BIND THE BUYERS AND SELLERS OF THE WORK AND SHALL RUN WITH EVERY INDIVIDUAL WORK OF $ARTCOIN. ALL PRICES SUBJECT TO CHANGE.

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100% A. D.
46ONE PTAHAG (999)~1>1 OZ.
[KEY: “/=$/ETH” = “or the equivalent in USD or ETH”; A. = Available; B. = Beholden, gifted to; D. = on Deposit in crypto vault; S. = Sold in full; S.S. = Shares Sold; U. = Unavailable; V. = Value in USD]. “LIST PRICE” REPRESENTS LIQUIDATION PRICE OF THE WHOLE (100%) OF THE REAL $ARTCOIN, WHILE “SHARES” OF $ARTCOIN MAY BE PURCHASED AS ¢NFTS ON BLOCKCHAIN. EACH ¢NFT SHARE MINTED ON ANY DAPP OR CRYPTO EXCHANGE REPRESENTS ONE PERCENT (0.01%) OF A CERTAIN REAL $ARTCOIN. Record Last Modified 11 November 2021. All Work copyrighted (c) 2021 by Antarah A. Crawley d/b/a “The New Syllabus”.

BINDING AGREEMENT For Transfer of Non-Fungible Token (NFT) $ART coin (“Art¢oin”) from Scribe Antarah A. Crawley (the “Artist”) to Collector and/or from Collector to Collector. The Artist (the “party of the first part”) and the Collector (the “party of the second part” and/or the “party of the first part” in the case of a third-party sale or transfer) shall be bound by the covenants contained herein. All covenants contained herein do attach and run with the Work and shall be binding upon all transferees. Buyers shall remit all payments to $AntarahCrawley or 0x9030514aA808E54144308270D8F1f2c9c85b9d93 (ETH); D6YCKKYaHk6QQz2PnHq2HumgbLMNMPkMXF (DOGE); bc1qvtkuyvkp4wx55uypfn2ufu9jtcne5mxz0ylk96 (BTC) or another designated account receivable.

WHEREAS The Work is being sold to Collector and Collector is willing to purchase the Work, subject to mutual obligations, covenants, and conditions herein; and WHEREAS Collector and Artist recognize that the value of the Work, unlike that of any ordinary chattel, is and will be affected by each and every other work of art the Artist has created and will hereafter create; and WHEREAS the parties expect the value of the Work to increase hereafter; and WHEREAS Collector and Artist recognize that it is fitting and proper that Artist participate in any appreciated value which may thus be created in the Work; and NOW, THEREFORE, in consideration of the foregoing premises and the mutual covenants hereinafter set forth and other valuable considerations the parties hereto agree as follows: 

PURCHASE AND SALE. ARTICLE 1. The Collector is purchasing the Work subject to all the covenants herein set forth for the price of, or at the agreed valuation for the purposes of this agreement of, [LIST PRICE] per [#]/100 share(s), where 1 $ART coin = 100 shares of $ART coin NFT stock. 

FUTURE TRANSFERS. ARTICLE 2. Collector covenants that in the event Collector shall hereafter sell, give, grant, barter, exchange, assign, transfer, convey or alienate the Work in any manner whatsoever or if the Work shall pass by inheritance or bequest or by operation of law, or if the Work shall be destroyed and insurance proceeds paid therefor, Collector or Collector’s personal representative shall: (a) file a current TRANSFER AGREEMENT AND RECORD in the form and containing the information set forth and called for in the specimen hereunto annexed and made a part hereof, completed and dated, and subscribed by Collector or Collector’s personal representative and Collector’s transferee, with the Artist at the address set forth above (or the Artist’s designated representative) within thirty days of such transfer, distribution, or payment of insurance proceeds, and shall (b) pay a sum equal to eighteen percent (18%) of the Appreciated Value (as hereinafter defined), if any, occasioned by such transfer or distribution or payment of insurance proceeds to the Artist at the address set forth above (or the Artist’s designated representative) within thirty days of such transfer, distribution, or payment of insurance proceeds. 

PRICE/VALUE. ARTICLE 3. The “price or value” to be entered on a TRANSFER AGREEMENT AND RECORD shall be: (a) the actual selling price if the Work is sold for money; or (b) the money value of the consideration if the Work is bartered or exchanged for a valuable consideration; or (c) the fair market value of the Work if it is transferred in any other manner. 

APPRECIATED VALUE. ARTICLE 4. “Appreciated Value” of the Work, for the purposes of this Agreement, shall be the increase, if any, in the value or price of the Work set forth in a current duly executed and filed TRANSFER AGREEMENT AND RECORD over the price or value set forth in the last prior duly executed and filed TRANSFER AGREEMENT AND RECORD, or, if there be no prior duly executed and filed TRANSFER AGREEMENT AND RECORD, over the price or value set forth in ARTICLE ONE herein. (a) In the event a current duly executed TRANSFER AGREEMENT AND RECORD is not timely filed as required by ARTICLE TWO herein, Appreciated Value shall nonetheless be computed as if such current TRANSFER AGREEMENT AND RECORD had been duly executed and filed, with a price or value set forth therein equal to the actual market value of the Work at the time of the current transfer or at the time of the discovery of such transfer.

TRANSFEREES TO RATIFY AGREEMENT. ARTICLE 5. Collector hereby covenants not to hereafter, sell, give, grant, barter, exchange, assign, transfer, convey or alienate the Work in any manner whatsoever or permit the Work to pass by inheritance or bequest or by operation of law to any person without procuring such transferee’s ratification and affirmation of all the terms of this Agreement and transferee’s agreement to be bound hereby and to perform and fulfill all the Collector’s covenants set forth herein, said ratification, affirmation and agreement to be evidenced by such transferee’s subscription of a current duly completed and filed TRANSFER AGREEMENT AND RECORD. 

TRANSFEREES BOUND. ARTICLE 6. In the event the Work shall hereafter be transferred or otherwise alienated from Collector or Collector’s estate in any manner whatsoever, any transferee taking the Work with notice of this Agreement shall in every respect be bound and liable to perform and fulfill each and every covenant herein as if such transferee had duly made and subscribed a properly executed TRANSFER AGREEMENT AND RECORD in accordance with ARTICLE TWO and ARTICLE FIVE herein at the time the Work was transferred to him or her. 

EXPIRATION. ARTICLE 7. This agreement and the covenants herein shall be binding upon the parties, their heirs, legatees, executors, administrators, assigns, transferees and all other successors in interest and the Collector’s covenants do attach and run with the Work and shall be binding to and until  years after the deaths of Artist and Artist’s surviving spouse, if any.

WAIVERS NOT CONTINUING. ARTICLE 8. Any waiver by either party of any provision of this Agreement, or of any right hereunder, shall not be deemed a continuing waiver and shall not prevent or estop such party from thereafter enforcing such provision or right, and the failure of either party to insist in any one or more instances upon the strict performance of any of the terms or provisions of this Agreement by the other party shall not be construed as a waiver or relinquishment for the future of any such terms or provisions, but the same shall continue in full force and effect. 

AMENDMENT IN WRITING. ARTICLE 9. This Agreement shall not be subject to amendment, modification, or termination, except in writing signed by both parties. 

ATTORNEYS’ FEES. ARTICLE 10. In the event that either party shall hereafter bring any action upon any default in performance or observance of any covenant herein, the party aggrieved may recover reasonable attorneys’ fees in addition to whatever remedies may be available to him or her.

VENUE. ARTICLE 11. This agreement shall be governed by and construed in accordance with the laws of a venue of competent jurisdiction which may be in any region in which the parties reside and shall be binding upon and inure to the benefit of the respective executors, administrators, successors and assigns of the parties. 

Block Verified by Scribe Antarah A. Crawley Meriptah 15 July 2021.