Category: Mind Software

‘Ecrasez l’infâme’

The Nature and Role of the Press and the Spreading of Public Ideas during the Initial Decline of the Old Regime in 1789, Together with Some Parallels Drawn into the Modern Period.

By Antarah Crawley | GWU ENGL 3481W | Spring 2012

Contents — I. Introduction:  Drawing Parallels—Bringing the “Voltaire-figure” into the Modern Period — II. Classical Interpretations of the French Revolution and its Reactions:  An Inevitable Consequence of Social Discrepancies? — III. The Significance of the Press: An Unprecedented Surge of Dialogue Between All Class Levels — IV. Repression Reenacted: Instances of repressed scholarship on the French Revolution under new Oppressive French Regimes and Abroad; What is the significance?

I.  Drawing Parallels—Bringing the “Voltaire-figure” into the Modern Period

 This is a time in which trends in world leadership are moving into an ominously monopoly-minded direction.  Industrial and financial consolidation to the end of optimizing profit for those at the top of the corporate food chain, together with reckless investing and trading in the financial sector, is a reality that had led to near disaster—the 2008 recession.  Such reckless habits of the American aristocratic class—that class that controls the means of production (footnote: what would be land in 1780s France)—has indeed sparked revolt from the lower classes, ineffective insofar as it has been.  But the culture of dissent is present, just as it was in 1788 as the bourgeoisie began to find fault with King Louis XIV’s handling of the economy.  We have in our society the broodings for a coup de tat of the industrial and financial superpowers that sway Americans’ lives.  If the government cannot adhere to the wishes of the classes that serve as it’s support base—the small businessmen and entrepreneurs, or the modern bourgeoisie, as well as the large working class population—and break its ties with such entities, then as we can see from history, and overthrow of the symbolic corporate-monarchy is eminent.

Below this paper examines how the French Revolution unfolded and what factors contributed to its initial success, at the same time as it draws parallels between the events of 1789 and the current trends in the United States of America.  With social media being a particularly effective and influential method of disseminating ideas in our modern society, it compels me to delve into the question of how the media of the 18th Century—the printed press and periodicals—affected popular opinion and reactions to the monarchy.  Such answers may help us find similar trends in our own society of acute discrepancy between those that have power, both political and economic, and those who do not have it.  And furthermore, 1789 is a perfect bookmark with which to compliment the modern period that I speak of here, 2012, because historians widely assert that the French Revolution ushered in the modern era with the creation of a “truly universal civilization…proclaiming the fundamental and inviolable rights of all people.”

It is the case, however, that the modern concept of politics, on which this country was based, is being eroded by government partiality towards big-business—we seem to be relapsing into a monarchal society.  In this time of quasi-revolt, as Occupiers remove themselves from the system of economic and political abuse by the Haves, we should find value in looking to the ways in which 18th Century revolutionary figures confronted the monarchy and the aristocracy.  What was the role of popular periodicals during the late 1780s, and can their impact be translated into modern trends like Facebook?  What was the role of the Enlightenment—the elite, learned class—in influencing the popular revolt, if there were any influence there at all?  How must a revolutionary, indifferent of his political opposition and bent only on self-improvement and social awareness—a “Voltaire-figure”—go about using the written word to combat an oppressive regime?  What, if anything, can the history of the French Revolution teach us?

II. Classical Interpretations of the French Revolution and its Reactions:  An Inevitable Consequence of Social Discrepancies?

The overarching significance of the French Revolution among historians had long been focused on its social consequences.  In his introduction to the volumized collection of papers compiled for the annual conference on Studies on Voltaire and The Eighteenth Century (SVEC), Harvey Chisick patronizes the Classical, or Social, Interpretation of the French Revolution by saying, “[The Revolution’s] significance consists principally in the socio-economic disjuncture represented by the middle class or bourgeoisie overcoming the aristocracy and attaining the political power to which it’s economic strength entitled it.  This process took hundreds of years and was accomplished only when the bourgeoisie was strong enough to make good its demands by force.”  Such an interpretation of the Revolution had been championed by authoritative historians on the subject such as Georges Lefebvre.  In his 1939 now-classic The Coming of the French Revolution, he maintains a rigid and illogical model of French society as the basis for the dissent of the bourgeoisie and the result of 1789:

At the end of the eighteenth century the social structure of France was aristocratic.  It showed traces of having originated at a time when land was almost the only form of wealth, and when possessors of land were the masters of those who needed it to work and live.  …The king had been able gradually to deprive the lords of their political power and subject nobles and clergy to his authority.  But he left them the first place in the social hierarchy.  Still restless at being merely his ‘subjects,’ they remained privileged persons.

Presently, however, a new class was emerging in prominence in France, whose wealth, in contrast, was based on mobile commerce.  Called the bourgeoisie (or the Third Estate, inferior to the clergy and aristocracy in the three orders of old French law, but not too far removed from them), it proved useful to the monarchy by supplying it with money and competent officials, and through the increasing importance of commerce, industry and finance and the eighteenth century it became more important in the national economy.  By the late 18th Century the bourgeoisie was beginning to usurp the aristocracy and clergy in terms of real economic power even though the latter retained its supreme legal and social status.  Feeling as though it deserved more political power based on its economic contribution to the state, the bourgeoisie became discontent with the state.  The Revolution of 1789 thus balanced the power of bourgeoisie with its real economic influence and eroded the prominence of the aristocracy.  Thus, as Lefebvre states, “In France the Third Estate liberated itself.”  But it’s not that simple, the author interrupts.  Although Lefebvre separates the four stages of the revolution, characterized by the social classes involved, the respective measures of executing the Revolution were intertwined and made way for each other, all culminating in a victory for the bourgeoisie in which the regime of economic individualism and commercial freedom prevailed over the working class:  

The privileged groups [the clergy and aristocracy] did have the necessary means [for forcing the king’s hand in appealing to the economic condition of the nation]…  The first act of the Revolution, in 1788, consisted in a triumph of the aristocracy, which, taking advantage of the government crisis, hoped to reassert itself and win back the political authority of which the Capetian dynasty had despoiled it.  But, after having paralyzed the royal power which upheld its own social preeminence, the aristocracy opened the way to the bourgeois revolution, then to the popular revolution in the cities and finally to the revolution of the peasants—and found itself buried under the ruins of the Old Regime.

Chisick comments that the Classical Interpretation situates the French Revolution in France’s historical time as an “inevitable consequence of a long social and economic revolution,…following from scientific laws.”  This would make the neither the press nor ideology a subject of interest.  But it seems that bourgeois dissatisfaction would not have miraculously resulted in an organized revolt upon the state, an act of terrorism, as it were.  Disseminated ideology must have had a place in rallying the organization of the greater Third Estate.  And since Chisick is editing a collection entitled “The Press in the French Revolution,” his acknowledgment of the Classical Interpretation must ultimately be to set up a retort to it.  While this Marxist-esque Classical interpretation went unchallenged throughout much of the history of the Revolution’s study, through Jaures and Mathiez to Lefebvre and Soboul, general acceptance of this formulation began to wane after the 1960s.

What then arose was a Revisionist Criticism of the Classical Interpretation of the French Revolution.  The first body of criticism stemmed from Alfred Cobban and George Taylor’s conclusion that capitalism in France was not present enough or influential enough on the Bourgeoisie to be a motive for revolution.  Furthermore, Taylor asserts that the nobility shared in equal part with the Bourgeoisie the most innovative and large-scale forms of economic activity.  So, in contrast with the Classical Interpretation that the Third Estate rallied to establish themselves as the social superior to the aristocracy, the Revolution was “essentially a political revolution with social consequences and not a social revolution with political consequences.” 

“Conceptualizing the Revolution in political and cultural terms,” says Chisick, “also has broader implications.”  Revisionist historians, in contrast to Classical historians who focus on the social discrepancies in the French upper classes, emphasize government incompetence and botched reforms which led to a virtual power vacuum and the emergence of public opinion as a powerful new political force.

Let us take a step back here and examine this interpretation within the context of our society:  The American public had expressed dissentient views on the government as being incompetence under President Bush with the trouble resulting from the finance bubble / housing bubble that burst in 2008.  Although we were hopeful of President Obama, many sectors of the right and well as some of his critical constituents have expressed their feelings of his incompetence when it came to listening to the American public and ending a several hundred-billion dollars war in the Middle East (and furthermore, of their general dissatisfaction with the Congress who seems to favor large corporations over the working/entrepreneurial class and the Supreme Court who allows immigration regulations and women’s reproductive rights to suffer). This brooding dissent has led to the organization of different protest rallies like Occupy and other virtual dissenting communities through new social media platforms like Facebook and Twitter.  The greater public, who call themselves the 99% in certain circles, are in a way equivalent to the Borgeoisie and the Popular/Peasant population of 1780’s France.  Although they may not own the means of production (what would be the land in 18th C France) they feel that their political voice deserves more attention from the Congress and lawmakers, who currently only appear to be favoring the voices of large corporations like Monsanto, as opposed to the family farmer.  Essentially, a corporation like Monsanto, who’s C-level administrators embody the 1%, is a stale form of political influence and legal exemption.   Chevron has been dumping toxic oil-waste into the Ecuadorean Amazon and surrounding forests since the 1980s, yet the government had yet to take a serious action against the company until 2011 when a Federal Appeals Court allowed damages against Chevron for the Ecuador oil spill.  In our present secular society, multi-million and -billion dollar corporations represent the clergy who benefited from “none of the ordinary direct taxes but instead…on its own authority a ‘free donation’ to the king”; the aristocrats are represented by those C-level administrators and shareholders who control these large companies which hold the market and lives of working and entrepreneurial Americans in their palm.  The political power of the 1% in the minds of Occupiers and greater dissenters is disproportionate to their contribution to the greater good of American people.  The question that arises at this point in our history is whether these present trends will develop into “long and silent social developments” that will erupt into another Western political revolution—and whether or not it will be successful!

Chisick summarizes the difference between the Classical and Revisionist interpretations with this: 

The revisionist emphasis on politics and culture…tends to ascribe to the ‘people’ or working population a more marginal place in the Revolution.  If politics, for example, are defined in terms of parliamentary assemblies, then the people will play only a small role in them.  If culture is defined in terms of literacy, then a large population of the lower class will be eliminated from consideration altogether, and the rest will assume a passive role as an audience or public to which writes and publicists appeal.

What Chisick and The Press in the French Revolution focus on is not so much the marginalized place of the people in politics, but the new role, after 1789, of the people as a body through which writers, elite or otherwise, appeal radical ideas through printed media.  Such a significant role in the common population could have only been accessed though the Revisionist Critique—thus arises the importance of the Press.

III.  The Significance of the Press: An Unprecedented Surge of Dialogue Between All Class Levels

With public opinion being a new principle authority and a central component of politics in new Revisionist Interpretation, the role of the press and its shaping and influence of opinion takes on new importance during the coming of the Revolution.  Yet even before 1789, the press was a tool that the monarchy knew it had to control, lest it lead to unwanted ideas spreading around the kingdom.

Daniel Roche in Revolution in Print explains the great extent to which the monarchy sought to control print media:

There was no freedom of the press under the Old Regime because from the earliest days of its power the Crown established surveillance of printers and booksellers and a mechanism for controlling the dissemination of ideas….  The royal power intervened at both ends of the chain that links creative writers to their public: readers and other authors.  Before publication became a skillful exercise in censorship, applied through a policy of selective privilege that involved the prepublication inspection of manuscripts for content and the rewarding of publishers who, in return for their cooperation with the established order, enjoyed the advantages of a monopoly.  After publication, control was further applied by police. 

Such extreme and thorough action taken by the absolutist state indicated its keen awareness of the importance of the printed word.  They saw it as the principle vehicle of radical knowledge and thought that it indeed would turn out to be in 1789.

Of course, no system of repression is one-hundred percent effective.  The royal government was never able to wholly prevent the circulation of forbidden books, anti-monarchist pamphlets, and the writings, songs and satires that made up an entire body of printed criticism.  This body, interestingly, was deemed by the monarchy to a dangerous dissemination of “philosophical” works, “philosophy” being all works deemed “dangerous” or “bad” (which may enlighten us to the monarchy’s unstable relationship with the Enlightenment figures, especially Voltaire).  The Old Regime enacted every feasible method of control over print media that it could, including the practical monopolization of the system in 1699 when abbé Bignon became Director of The Book Trade.  The role of the Office of the Book Trade was to examine all works destined for legal publication and to maintain that all such books be registered with the state.  Under the direction of C.-M. Lamoignon de Malesherbes from 1750 to 1763, censorship defined the forbidden zones of literature as God, king, and morality.  One can only imagine where that puts Enlightenment figures like Voltaire in the eyes of the government when such a “philosophical” a tale as Candide was published in 1759.  Given, Voltaire did not admit his authorship until 1768 when he was not even within reach of the Office of the Book Trade and the monarchy.  But notwithstanding that fact, neither the 1759 ban on the book by Paris officials or its ambiguous authorship deterred it from becoming one of the fastest selling books in history, selling twenty thousand to thirty thousand copies by the end of the year in over twenty editions.   So it can be said that there are notable examples of books that slipped through the cracks of the censors, but all in all, between 1660 and 1680, the beginnings of an increasingly close supervision of printed matter and the employment of “hard-nosed” Firemen arose and persisted until 1789.  

After 1789, the most immediate and dramatic change in the way public opinion came to be formed and expressed was in complete freedom of the press.  With the elimination of the machinery of State regulation of publishing and the sudden collapse of censorship in the Spring and Summer of 1789, Chisick writes, “writers and publishers found themselves free of the constraints that the monarchy had imposed upon print media almost from their inception.  Books, pamphlets and periodicals could now be published without obligatory prior examination by a censor and without the publisher having to apply for a privilege or to ascertain that he was not infringing upon someone else’s legally established monopoly.”  What resulted of this was an emergence of new career opportunities in writing, publishing and journalism, wherein more personal and more partisan expression could appeal directly to the public.  Chisick writes that, “The periodical press that now emerged was far more political in content and far more engaged than was its counterpart of the old regime,” which was primarily devoted to the arts, sciences, and literature.  In addition to the content of print media, its format also changed; journals treating art, plays, et cetera needn’t appear more regularly than every one or two weeks, however the new political papers that began to appear in 1788 had a popular readership to satisfy who were avid for the latest political news, and these papers came to be regularized in dailies in 1790 and 1791.

Continuing with the trouble-making habits that they used even before 1789, the Enlightenment figures also played an important role in post-censored France.  What resulted of the absence of authoritarian filtering was a surge of political and social dialogue through print.  The function of censorship had been to “impose an officially sanctioned consensus on public discussion, or, formulated negatively, to prevent the expression of opinions that deviated too widely from what the authorities defined as the accepted norm.”  After the fall of the state—which was the filter of public discussion—political dialogue flourished, primarily through the work of Enlightenment figures.  Chisick writes:

The literature of the Enlightenment was overwhelmingly a literature of dialogue.  Its world of discourse, its political theory, social criticism, literature and popularization, was open and aimed at persuasion.  Characteristically, even Voltaire’s cry of ‘Ecrasez l’infâme’ [‘Crush the infamous thing’] was moderated in practice, and the philosophe sought less the destruction of his ecclesiastical foes that that they moderate and modernize their beliefs and actions.  

Often, the aim and influence of Enlightenment literature was painted in a less-than-humane light.  Such writing was aimed at what the Enlightenment figures believed to be the realm of possible social and political reform—and such parameters often limited them to the learned classes.  With respect to the audiences for which periodicals like the Ami du roi and the Journal de la Montagne were intended it cannot be denied that, both being descended from the Enlightenment, they were addressed to a cultural elite.  But to be fair, the elite bourgeoisie was the class which was most concerned the goings-on of the years that immediately followed 1789, thus the Enlightenment writers would have felt it imperative to appeal to them first and foremost.  In any case, no matter the Enlightenment’s targeted appeal group, a larger-scope popular press emerged after 1789 that sought to make a direct and regular political appeal to the people.  For example, the more radical Ami du peuple and  Pére Duchesne sought to speak directly to the working population.  Jeremy Popkin even acknowledges the purpose of an anonymous Belgian journalist in launching the Esprit des gazettes in 1786 as being a reaction to the segmentation of the press market and a reaction to the “elite press.”  Such “elite” papers were considered the “concerned papers, the knowledgeable papers, the serious papers…the papers which serious people and opinion leaders in all countries take seriously,” similar to The New York Times today.  However, with the surge of uncensored popular publications in 1789, it proved exceptionally difficult for a stable elite press to survive.  It nevertheless persisted that an exception to the rule existed, and the Dutch-based Gazette de Leyde, a French-language newspaper and one widely considered to be the most important serious news journal at the time reached the height of its fame at the outbreak of the French Revolution.  It may have been the case that its being published outside of the control of the monarchy and its taking serious political issues of the day allowed it to transition well into the popular culture of revolutionary France, in which “sophisticated readers” liked to think of themselves as “students of events, rather than as mere consumers of information.”

So in general, there was a mixture of “elitist” and popular publication circulating through France after the Revolution began, and all of them were open-minded and political in nature with having to be constrained by a monarchy.  Chisick defends the elitist publications stemming from the Enlightenment; even though they were not targeted at the public in terms of language, he says, “The Enlightenment may have been élitist, but it was humane, progressive, pragmatic and…committed to an open mode of discourse that worked on the principles of a free exchange of ideas, rational persuasion, and consensus.”  In essence, the Enlightenment encompassed the spirit of the free press.

Here, I would like to take one more step back.  By the transitive power, the dialectic, free-spirited passion of the Enlightenment also encompasses the essence of the Internet, or what John Man would say is the fourth turning-point in human contact in the last 5,000 years, after the explosion of the printing press in Europe.  Using this model of long-term political revolutions paired with innovative information movements, can we say that the modern political trends referred to above, paired with the widespread use of Facebook, Twitter and blogs for personal and political expression will evolve into some greater social revolution?  Widespread use of social media could favor either the greater population or the Silicon Valley companies that control the means of disseminating the information.  Either way, a change will erupt in the way all people conduce commerce, relationships, and protest.  In fact, it may have already happened, with Amazon.com in control of commerce, Facebook.com in control of interpersonal relationships, social awareness and business promotion, Google.com in control of information dissemination, and the Apple Corporation in control of the method of accessing it all: the smart phone.  What social media looks like on the outside is the power of dialogue and commentary in the hands of every individual person, but what we may actually have is a monarchy of the big four companies upon our entire civilization.

Be it internet-based social media or the physical spread of pamphlets in 1780s France, the spread of ideas sparks dialogue and makes people question the powers that govern them.  The Old Regime recognized that and that’s why they so painstakingly censored the media.  But the Enlightenment figures also recognized that and used it to the advantage of the people.  Yes, they targeted their publications toward the elite, but could you blame them for trying to appeal to a more learned audience.  Perhaps the “elitism” of Enlightenment periodicals actually helped to lend some authority to their positions.  Surely no one takes every Facebook campaign seriously—that’s because so many people of such little intelligence use it.  It may be the case that the modern person needs to filter what they read and believe through an Enlightened lens before they comment on current issues.

IV.  Repression Reenacted: Instances of repressed scholarship on the French Revolution under new Oppressive French Regimes and Abroad; What is the significance? 

What becomes clear after moderate research into the French Revolution is that even after 1799, books about the Revolution have been repressed by government who find the very notion of political dissent dangerous.  Even authoritative writers on the topic who we revere today were repressed upon their initial publication.  R. R. Palmer, the translator of Lefebvre’s The Coming of the French Revolution comments on the books history from its first publication in 1939: “The French Republic collapsed before the assault of Hitlerite Germany, and was succeeded by the Vichy regime that governed France until the liberation in 1945.  No sympathetic understanding of the French Revolution was desired by the authorities of Vichy France…  The Vichy government therefore suppressed [The Coming of the French Revolution] and ordered some 8,000 copied burned, so that it virtually remained unknown to its own country until reprinted there in 1970, after the author’s death.”  

Gaetano Salvemini’s highly revered book also underwent similar treatment.  “[The French Revolution] has come to be regarded as a classic in its field,” says I. M. Rawson in his Translator’s Note.  “It may seem strange that a work so well known on the continent [of Europe] should not have been made available to English readers long ago.  The explanation lies in part in the fact that the author, an exile for over twenty years from his own country [of Italy] and actively engaged in the struggle against Fascism, as well as in writing a number of works on modern politics, had no time to give his study of the great Revolution a further revision in the light of recent historical research, and was unwilling to allow it to appear in English before this had been done.”

What we see here are Voltaire-figures who, even after the iron claw of the Old Regime had long fallen, still combated oppression and political injustice with that same passion.  Like Voltaire, who was imprisoned in the Bastille twice and was constantly in fear of being jailed when he dared set foot in Paris, Salvemini contested the Fascist regime and honorably suffered more it.  That is the kind of spirit I hope may come of this brooding internal political struggle in America.  Perhaps the melting pot isn’t hot enough yet.

© 2012 by Antarah Crawley

The Undermining of the Heart of Vandals

By Antarah Crawley
For Professor McRuer,
Critical Methodologies

9 November 2011, GWU

Antarah Crawley painting Dystopia City for Capital Fringe c. 2011.

WASHINGTON, D.C. — If you drive or walk or, more likely, ride your fixed gear down the city’s busiest thoroughfare New York Avenue past 7th street you’ll see an imposing mural of a young brown boy with a cap depicting an upside-down DC flag peeking up out of a dystopian landscape reminiscent of Mew Mexico’s Bisti Badlands.  The painted caption, “Welcome to Dystopia City” invokes the notion that all is not well here.  Indeed, within the city there is a conflict of interest between a young, browning generation and the established hegemony, between corporations and small business, between those who have a voice and those who don’t.  And the artists, whose hands are also colored with paint and adhesive, have largely taken up the cause to make the corporate hegemony accountable to their disruptive actions.  In this paper I look at the actions of DC artists, who use the most symbolic city in the western hemisphere as a canvas for social correction, and the responses it stirs among those in power.  And furthermore, in the very notions of power itself.

In fall of 2010, corporate oil-giant Chevron planned to execute a campaign that sought to fix public opinion of them after attention was drawn to their crude waste removal tactics in Ecuador.  According to a team of professionals suing Chevron (formerly Texaco) for their human rights violations in multiple locations across the world, and specifically in Ecuador, the oil giant has been deliberately disposing toxic waste into the Ecuadorian Amazon—an estimated 18.5 billion gallons from 1964 to 1990, or 4 million gallons per day at the height of their operation.  Even though they had managed to elude liability costs (a potential $27.3 billion) their public image had been damaged, thus they sought to repair it with a campaign that utilized a gritty street-art aesthetic and phrases that showed their corporate executives agreeing with “everyday, working class” Americans (e.g., “Oil companies should put their profits to good use—We Agree”, “Big oil should support small business—We Agree”, etc.)  

In an effort to make their message more accessible to the public, Chevon reached out to local artists to put their posters up in an authentic, street art way, using wheatpaste and paint rollers.  Cesar Maxit, a DC-based street artist, was one of the artists targeted to execute this operation.  However, Mr. Maxit is not one to comply with the wishes of big oil.  He has a long history of social activism and of using art, legally and illegally, towards that capacity.  He says in an interview:

…I had started working with environmental and human rights groups, I wanted to write messages about social justice.  My first burner was a piece that said “Free Tibet.”  My second was one that had a line of white-hooded Klansmen with the city skyline behind it, and in the negative space between it said “FREE MUMIA” followed by “amerikkka racist.”  This was in 2000.

Cesar Maxit

Thus, when Chevron sent him the files for the campaign, which still contained their original messages, he called his friends in The Yes Men (tagline: Impersonating big-time criminals in order to publicly humiliate them.  Our targets are leaders and big corporations who put profits ahead of everything else) and the Rainforest Action Network (RAN), an environmental activist organization begun in 1985 (mission statement: Rainforest Action Network campaigns for the forests, their inhabitants and the natural systems that sustain life by transforming the global marketplace through education, grassroots organizing, and non-violent direct action), to collaborate on a counter-campaign.  Maxit, in a documentary short about the counter-campaign, says the aim of Chevon in its efforts is to “confuse the public.”  He, along with The Yes Men and RAN, altered the original Chevon files to read messages that were more precise, more radical (e.g., “Oil companies should clean up their messes.”).  Instead of retaining the images of working class Americans, he used the faces and words of the Ecuadorian peoples that the corporation actually affected, thus radicalizing the campaign in a way that Chevron had not intended.

The questions that this counter-attack (which resulted in Chevron pulling the campaign completely) raises revolve around the mythologies surrounding responsibility and authenticity.  Could the campaign have been authentically “agreeable” without the help of actual street artists?  What does a campaign like this symbolize, even when Chevron has not actually committed to cleaning up its mess in Ecuador?  At the base of it all, what is the role of the street artists in this scenario?  Is his role to help corporations get back on track, or to call attention to their faults?  If Chevron had actually continued with the campaign (and even with the altered versions already up on the street), whose campaign is it?  Who is the author?  And lastly, why DC?

Roland Barthes’s Death of the Author would have anticipated such response from the street art/activist community.  Mr. Maxit has physically done what the reader in Barthes does every time he reads a text—he deconstructs it; he takes the text and, without considering what the author intended, which is ultimately futile because the author is a confused self-destructive entity, he reassess the “blends and clashes” inherent in the text (1324).  Barthes writes, “We know now that a text is not a line of words releasing a single ‘theological’ meaning (the message of the Author-God) but a multidimensional space in which a variety of writings, none of them original, blend and clash” (1324).  Chevron acts as the “Author-God” that has been abstracted out.  With the remaining text, which reads, for example, “Big Oil should get real”, the author, Mr. Maxit, RAN, and so on, detangles what is being said.  In an interview, Mitch Anderson, a spokes man for the San Francisco-based organization, Amazon Watch, asks rhetorically, “Does Chevron think that we’re stupid?”  As the author, they are putting words on a page that come in contact with other entities, actions surrounding their statements.  The reader takes all of these aspects inherently into consideration when analyzing a statement like “Big oil should get real.”  Cesar Maxit asks, “‘Get real’? Well, what does that mean?  Of course we all agree with that.  But what about ‘Oil companies should clean up their messes?’  Do you agree with that?  I think most people would agree with that, but I think Chevron doesn’t.”  Here, the reader has destroyed the voice.  It epitomizes Barthes’s statement that, “a text is made of multiple writings, drawn from many cultures and entering into mutual relations of dialogue, parody [and] contestation…” (1325). In the end, this campaign has actually served to promote further scrutiny into Chevron’s actions.  It’s authorship has written its own rebuttal.  By getting street artists to interact with the campaign, it has entered the reader into the execution of the text.  This puts multiple hands on the “original” message and renders is read before it actually goes public.

This actually brings up another level of readership.  On one level, Maxit and the activist community are reading the ads.  Yet they put them up in the public sphere, thus entering the text into another, secondary level of readership.  Though it’s not as well documented or extensive as the primary reading, we still see the artist entering into his own death.  The product will now be read at face value—as a Chevron ad that shows the corporation explicitly admitting to wrongdoing.  This may lead the secondary reader to believe that the company is actually trying to get its act together.  Once again, the message of the author—now the artist—is obliterated and the reader assumes the power of interpretation.  The text never becomes the product of one author; it is always a collaborative space.  As Barthes writes, “Writing [or in this case, art/publicity/advertising] is that neutral, composite, oblique space where our subject slips away, the negative space where all identity is lost, starting with the very identity of the body of writing” (1322).

Antarah, you’ve chosen a really interesting focus that’s, I think, much clearer than it was in the first draft. You’re also going in an unexpected and interesting direction with it–I’d have expected you to perhaps go after Deutsch or Foucault, but I think this is really interesting. As noted in the margin, you will need another theorist from class besides Barthes. It sounds like Derrida might be a good one. Or, if you want to think more about the larger frame of discourse, DC as a symbolic city, whose discourse on the level of architecture is disrupted by street art, then Foucault (or Deutsch) might help. At any rate, it’s a fascinating project!

Grade: A

© 2011 by Antarah Crawley

D.R. 01-10: Gateway &c.

Volume 1, Issue 10

Contents — Art. 1. …Gateway Process — Art. 2. …Party Line

Article 1

40th Anniversary of U.S. Army Intelligence analysis and assessment of Gateway Process

By Antarah Crawley

WASHINGTON, DC — On 17 February 2021 the Daily Mail reported, “TikTokkers discover declassified 1983 CIA report investigating if people can leave their physical bodies to travel through space and time using Gateway Experience’s low frequency sounds and relaxation techniques.” The present author recalls that he researched the report and identified a PDF copy on the CIA’s website after seeing such a video being shared on Instagram sometime that year. This author first read the report on 30 October 2023.

The 9 June 1983 U.S. Army Intelligence and Security Command (USAINSCOM) report, Analysis and Assessment of Gateway Process, was declassified by the U.S. Central Intelligence Agency (CIA) on 10 September 2003. It is therefore presently four decades since this report was penned in top secrecy by Army Intelligence officer LTC Wayne M. McDonnell, and two decades since it was quietly released into public domain.

The Gateway Process is a technique for applied consciousness expansion designed to better enable practitioners to achieve out-of-body experiences, among other objectives. It also appears to provide the theoretical foundations of interdimensional espionage and interdimensional counterintelligence using remote viewing and other techniques related to interdimensional time travel. It may also acclimate practitioners to encounters with “intelligent, non-corporeal energy forms” (pg. 27). This particular iteration of the practice was developed by Bob Monroe of the Monroe Institute.

It is notable that the official PDF, which is found on the CIA’s website, is missing page 25 (after PDF page 26), a page which may prove even more valuable than the declassified document as it currently exists.

The present author recommends that every free-thinker, truth-speaker, and light worker print a copy of this report and read it and reread it whenever necessary, as it presents a most accurate recitation of the very source information which informed the New Syllabus. This author is so stricken by the equivalence of research findings and information between the New Syllabus Curriculum Suite Repository (C.S.R.) that he is convinced that the Gateway Process was involved in the carrying out of the Novus Syllabus Seclorum through his body in this space-time continuum.

In hindsight, this author recalls his education in the Daoist (Taoist) philosophy while attending The George Washington University in 2010/2011, and his silence-filled sessions of deep, meditative thought in which he explored the elementary composition of “reality” and “nature.” These sessions led directly to his authorship of Origends: A Primer on Singularity and Space-Time Progression, which comes down to us at 1 C.S.R. 57-77.

Original 2015 Cover of Origends: A Primer on Singularity and Space-Time Progression by Antarah Crawley

Furthermore, this author has come to the understanding that the development of the fictional character of Walter Kogard as a (very) thinly veiled alter ego of the author in 1 C.S.R. and the mission undertaken by this character at 3 C.S.R. has caused the experiences of Walter Kogard to “quantum-leap” from fiction into the reality of its closest analogue, the author himself. However, the original ending at 3 C.S.R. (in which Kogard “decompresses” into a beam on light in the InterZone), while remaining the true and original conclusion to Kogard’s hero-myth, projected an alternative ending involving the “Secret School of Ancient Mystery” to 4 C.S.R. and beyond. This “alternate reality” is actually a transmission of the Kogard signal from the silent depths of the O-Zone back into the KnownZone as a hologram of himself to build new holograms in the main holographic matrix. Therefore, unbeknownst to this author at the time, the New Syllabus Mystery School was manifest into reality via decentralized Gateway Process after he moved back to “Federal City” (Washington, D.C.) from “Empire City” (Brooklyn, New York).

In addition to illuminating the operative mechanism in the Curriculum Suite Repository, the Army Intelligence report predicts the New Syllabus discovery and development of Mindsoft and the InterZone of 3 C.S.R. 27-28.

Regarding Mindsoft, LTC McDonnell reports at 15. Brain in Phase:

The consciousness process is most easily envisaged if we picture the holographic input [the appearance of physical reality] with a three dimensional grid system superimposed over it such that all of the energy patterns contained within can be described in terms of a three dimensional geometry using math[e]matics to reduce the data to two dimensional form. Bentov states that scientists suspect that the human mind operates on a simple binary “go/no go” system as do all digital computers. […] In states of expanded consciousness, the right hemisphere of the human brain in its holistic, nonlinear and nonverbal mode of functioning acts as the primary matrix or receptor for this holographic input while, by operating in phase or coherence with the right brain, the left hemisphere provides the secondary matrix through its binary, computer-like method of functioning to screen further the data by comparison and reduce it to a discreet, two-dimensional form.

LTC McDonnell, pg. 9 (emphasis added)

Regarding the InterZone, LTC McDonnell reports at 21. Dimensions In-between:

[…I]nside the dimension of space-time where both concepts apply in a generally uniform way there is a proportional relationship between them [time and space]. A certain space can be covered by energy moving in either particle or wave form in a certain time assuming a specific velocity virtually anywhere in the space-time universe. The relationship is neat and predictable. However, in the intermediate dimensions beyond time-space the limitations imposed on energy to put it into a state of oscillating motion are not uniform as they are in our physical universe. […A]ccess is opened to both the past and the future when the dimension of current time-space is left behind.

LTC McDonnell, pg. 14 (emphasis added)
Image on space-time. Retrieved 11 April 2015. Source unknown.

The present author can no longer consider it a coincidence that in this time of all-pervasive “conspiracy theories” being advanced on both the far left and the far right of the political spectrum, a foreign social medial platform with a majority population of Generation Z youth is circulating a once-concealed U.S. government intelligence briefing which vindicates virtually every “fringe theory” pertaining to the existence of, and means of travel through, multiple concurrent (simultaneously occurring) dimensions of time and space.

This rise in the tide — this sea change — in what has been coined “the collective consciousness” appears to be the work of interdimensional agents the Third Wave of the Antimasonic Party of the decentralized autonomous organization of free-thinkers, truth-speakers, and light workers united, although Washington politicians assert that TikTok is a tool used by the Chinese Communist Party to surveil and control American citizens.

Source(s):

MEGAN SHEETS FOR DAILYMAIL.COM. TikTokkers discover declassified 1983 CIA report investigating if people can leave their physical bodies to travel through space and time using Gateway Experience’s low frequency sounds and relaxation techniques. Published: 16:26 EDT, 17 February 2021.

Article 2

Toeing the Party Line

By Antarah Crawley

NACOTCHTANK, OD — These positions (planks*) are hereby promulgated for acceptance to the general membership of the Third Wave Antimasonic Party of the United States, from the Village of Nacotchtank-on-Potomac, Ouachita District, which sits on the river bank east of the federal city of Washington:

Plank No. 1

The historical dialectic of Freemasonry is to be condemned, and individual freemasons should be invited to renounce their oaths and affiliations with the fraternity, but may otherwise be tolerated. Pan-Hellenism is to be likewise considered.

Plank No. 2

Everything which is concealed must be revealed.

Plank No. 3

Take no action unless sincerely moved by conscience and belief and such action is carried out in good faith. Therefore, unless there arises a compelling reason to take a certain action, no action should be taken.

Plank No. 4:
Party Boss System for Political Action Coalition

Individual natural people called regional and state bosses shall receive and disburse donations as trustees for the general membership (GM) of the party domiciled in a certain region or state. For example, if a party boss buys a building with donated funds then the building is held in trust for the benefit of the GM. The boss shall conduct the party’s finances on the advice and counsel of a majority of the GM.  The GM shall also constitute the national nominating convention.

*Note

A “plank” is a main axiom of the party platform. See:

(last modified 2 Nov. 2023)

© MMXXIII BY NOVUS SYLLABUS L.L.C.
ALL RIGHTS RESERVED WITHOUT PREJUDICE.

D.R. 01-05: DHS

Volume 1, Issue 5

Article 1

The DataHorse System

by Antarah Crawley | last modified 24.10.25.10.27

READ ME

1.0.0. The DataHorse system is first identified in the original filmscript Rustles in Dry Leaves (“RIDL”) at Title 3 C.S.R. pg. 11 and onward. It is described as a “project” administered by the “Department of Systems” which even the Department did not understand.

1.1.0. Indeed, even in the ensuing eight years, the N∴S∴ Department of Information Systems and Intelligence Services did not understand that what we were constructing in the systematic storage of our data on the world wide web was the building out of the DataHorse System.

1.1.1. This is likely because the 1st Syllabus diverts Kogard’s trajectory from the tunnels of the earthen floor of all the city’s cellars in RIDL to the platform of the G Train at Title 4 C.S.R. pg. 38. (It is worth noting that this path leads him through the Secret School of Ancient Mystery instead of directly to the Systems Dep’t.)

2.0.0. DataHorse (DH) is the nodal internetworking service provided by NOVUS SYLLABUS (N∴S∴) Department of Information Systems and Intelligence Services (DISIS).

2.1.0. It is “nodal” in that it functions through a network of devices (or discrete points generally) called “nodes” (in its most elementary manifestation, the electromagnetic network of human minds, also of telephones).

2.2.0. It provides resources, data, services, or programs to other nodes, known as clients, over a network.

2.3.0. It is a server that provides services to clients via request-response model. E.g., it provides the service of Universitas Autodidactus (UA) “CORPS work.”

2.3.1. It is a decentralized cloud server hosting the intellectual property holdings (“information,” “data”) branded and trademarked “New Syllabus,” which support the UA CORPS work. It may, hypothetically, host other information sourced from third parties or the general public.

2.3.2. The Ombudsman of the N∴S∴ is the Administrator of the DataHorse System.

3.0.0. The DataHorse System (DHS) is constituted by a system of interconnected servers and clients which store and transmit “known information”.

3.1.0. The DataHorse points from the KnownZone to the InterZone where “unknown information” is stored, which in turn points toward the O Zone of nothing, which differentiates its one thought (that it exists) into multiple forms of “matter”.

4.0.0. A portal into the DHS is called an infoSystem.

4.1.0. Gross matter is born into the base of the universal Systems Department, which takes the shape of a pyramid. Therefore it only receives what is processed by InterZone into six-sense 3-D perception.

4.1.1. The fact that there is a DHS is unknown to those at the base of the pyramid, as is the fact of the shape of the pyramid itself.

5.0.0. The DHS is an instrument, which is to say that it is a vehicle (like a horse) for the transmission of information (data) from unknown to known venue, and from known to known venue.

5.1.0. The DHS drafts words of data from the InterZone to the systems of the KnownZone, as a cheque drafts funds from one bank account to another.

6.0.0. The DHS is a DAO. (Even though the content of the DHS hosted on this website as well as the name “DataHorse” is the intellectual property of the copyright holder.)

6.1.0. The decentralized autonomous organization (DAO) is a system or company that is organized on the basis of an algorithm, like a computer system.

6.1.1. A type of DAO organizational structure is a firm league of friendship (FLF), which is a “firm,” or business concern which is distinct from its members, or “friends,” which constitute the unincorporated “league”.

(v.iv)

© MMXXIII BY NOVUS SYLLABUS L.L.C.
ALL RIGHTS RESERVED WITHOUT PREJUDICE.

D.R. 01-04: Amendments

Volume 1, Issue 4

CONTENTS — ART. 1. VALUE IN ART 1ST — ART. 2. WATER THEORY 1ST

Article 1

Amendment to “Value in Artwork”

by Antarah Crawley

At Art¢oin:\>_Theory and Methodology\Value in Artwork, strike “the person of the artist, the execution of the artist, the intention of the artist, the attention of the artist, the subject matter content of the work, the medium of the work, the lifetime of the work, and the effect upon the viewer” and replace with “artist’s time on the scene, artist’s repertoire, and number of solo and group exhibitions.” Other factors in the appreciation of art include size, subject matter, and time period.

Furthermore, with regard to the valuation of artwork, a sellable artist is a “known commodity.” Appraisers buy low and sell high; they take an average of sale prices over the years to make appraisals. Utilize platforms like Artsy, Artnet, and Invaluable. Also see, “square foot pricing” of art works.

Article 2

Amendment to “Water Theory of Capital”

by Antarah Crawley

At Art¢oin:\>_Theory and Methodology\Water Theory of Capital, add:

3.0. Can trade (i.e., exchange, change hands; revenue, change venues) (1) real (landed) estate (includes people), (2) consumable goods (commodities), and (3) securities (fungible negotiable instruments) using (4) a medium (an agency, vehicle, or instrument) of exchange.

3.1. A current medium of exchange is liquid in circulation (legal tender) secured by something of value (currency).  A current account is a storage or depository account that can be drawn upon on demand of the named account holder, but which is “secured” (fixed so as to not be easily moved) by a trustee. The storing and safekeeping of securities is a matter of “public safety”.

3.2. Live stock and real estate, as opposed to consumable goods (commodities), secure the public debt on private bank ledgers. Securities are “advertisements for live stock in bondage sold on the banks of the river.” When analyzed word for word we find the following objective correlative:
3.2.1. Advertisement = offer for acceptance
3.2.2. Live = circulating current (as of ions, blood, or breath)
3.2.3. Stock = cargo, negotiable instrument
3.2.4. Bond = debt obligation
3.2.5. Sold = exchange, revenue (to circulate)
3.2.6. Bank = the land sloping down to a body of water, or any slope, mound, or mass, or the action of heaping (a substance) into such a mass
3.2.7. River = flow of commerce; current “C”

© MMXXIII BY NOVUS SYLLABUS L.L.C.
ALL RIGHTS RESERVED WITHOUT PREJUDICE.

D.R. 01-01: To Publish…, &c.

Volume 1, Issue 1

CONTENTS — ART. 1. N∴S∴ TO PUBLISH ART BOOK… — ART. 2. ORGANIZATION OF N∴S∴

Article 1

N∴S∴ to publish art book for IBé Arts Institute

By Antarah Crawley

WASHINGTON, DC — IBé Arts Institute of Historic City Point in Hopewell, VA, has partnered with NOVUS SYLLABUS L.L.C. (N∴S∴) to publish the first artist’s book cataloging the work of master teaching artist and storyteller IBé Bulinda Hereford Crawley. 

Crawley at EUREKA! House in New York. Printing assistant Aurora Brush can be seen to the left. Source: https://eurekaeurekaeureka.com/EUREKA-1

New Syllabus Director Antarah Crawley and IBé Crawley have maintained an arts education partnership since September of 2016, when the New Syllabus relocated from New York to DC. At about that time, IBé Arts and Education LLC was established in Historic Anacostia, Washington, DC. Together, IBé Crawley and the Director have published the SSTEM curriculum and the ParenTeacher program. 

The opportunity to publish IBé Crawley’s first artist’s book presents a great opportunity for N∴S∴ to communicate its overarching mission, vision, and values through its commitment to honoring our elders and ancestors, and amplifying the voices of Black Woman artists.

The Arts and Education Institute in Hopewell, Virginia. Source: I. B. Crawley.

The IBé Arts Institute is an art space dedicated to visual and oral storytelling.  The historically significant building was built in 1830 as a schoolhouse for white men, and later used as a hospital for soldiers during the Civil War. 

Today, it serves as IBé Crawley’s private studio gallery and workshop. Consistent with the mission to preserve and document stories,  the exhibition hall, art studios, and residency space are available for individuals to host workshops, family events, and professional development programs.  IBé Crawley assists in planning preservation projects and leads intimate and informative tours of the Institute and the surrounding City Point Historic District. 

Contact ibe.crawley@gmail.com or visit ibearts.org for more information and to coordinate an event. 

Source: I. B. Crawley

In 2022, IBé Crawley printed a 58-copy edition of Antarah Crawley’s Harriet Tubman 2021 Non-Fungible Note from a copper plate he engraved by hand. Printer Aurora Brush assisted IBé Crawley in the intaglio printing process during her residency at the Women’s Studio Workshop (WSW) in Rosendale, New York.

Harriet Tubman 2021 Non-Fungible Note by Antarah Crawley.

The IBé Crawley publication will coincide with the 2023 fall exhibitions Holding Ground at the National Museum of Women in the Arts’s (NMWA) in Washington, DC, and The Calling at City Lore in New York City.  Within its pages will be catalogued four of Crawley’s artist’s books: 11033, Delia Posey, Bearing Witness, and A Dwelling for Her Story.  Each chapter will present a different category of art work, together with descriptions, articles, quotes, and images.  

Into Fall 2023 and beyond, IBé Arts Institute will strategically focus on:

  • Paper making
  • Print making
  • Book binding

IBé Arts Institute aspires to become a Virginia folk book press “center of excellence”.  This is the first initiative in what the Institute and N∴S∴ plan to be a bright new era of programs, projects, and partnerships.

Source: I. B. Crawley

Article 2

The Organization of the New Syllabus

By Antarah Crawley

1. HISTORY

WASHINGTON, DC — In 2014 AD, I, Antarah, had a vision of one new syllabus for humanity. This syllabus would chart a course for human understanding of ubiquitous and lasting systems established since time immemorial. I sojourned to Brooklyn, New York, in pursuit of my syllabus, developed a discipline, and professed a doctrine toward the development and operation of human mind software, individually and collectively, and I returned to the Federal City.

Being in possession of such valuable information, I began to process this knowledge and offer certain products and services to the public, toward the establishment of a society of free thinkers, truth speakers, and light workers united (FTLU) in a firm league of friendship called a decentralized autonomous organization (FLF-DAO). To that end, I wrote and recommend policy positions to the FTLU stakeholders. This practice has resulted in the production of a robust and diverse body of multimedia intellectual property which we, the Director and Company, shall distribute throughout the world under the motto of Novus Syllabus Seclorum, meaning “the New Syllabus of the Age.” 

2. ORGANIZATION

Established 2022, NOVUS SYLLABUS L.L.C. (N∴S∴) is a liberal arts and humanities intellectual property holding company specializing in diversified arts investments and management.

Our flagship brand, New Syllabus (est. 2014), is a knowledge management system (KMS) that creates, codifies, organizes, stores, and disseminates information to the public from newsyllabus.org. To that end, it conducts research and development in the broad field of Historic and Ancient Mysteries, Economy, Theology, Informatics, and Systemtheorie (HAMETICS).

N∴S∴ operates the Department of Information Systems and Intelligence Services (DISIS, pronounced “Diocese”), which is divided into the Archival Records Management (ARM) Division and the Mind Software (Mindsoft) Development and Operating Systems Command (DOSCOM). These are our Curricular Operations, Research, and Publication Services (CORPS) which supply information to the New Syllabus (now known as the DataHorse System or “DHS“).

N∴S∴ also operates the Ombud Service Bureau (OmbudService, or Office of Ombudsman) for administrative due process, and Syllabus Media Group for audiovisual production and distribution.  

3. VISION

Our Vision is a world of free thinkers, truth speakers, and light workers united under one new syllabus for STEM, arts, and humanities research, development and operations; one new syllabus for the ages!

4. VALUES

Our Values are Love, Truth, Peace, Freedom, and Equity; these are our foundation. Our Three Great Pillars which support our institution are Trust, Faith, and Belief; as it is said, Faith is complete Trust and firm Belief, the acceptance of truth divine, which Belief, sincerely held, cannot be converted into a crime.

5. MISSION

Our mission is to reveal truths which have been hidden and to keep a record of knowledge and wisdom.

N∴S∴ conducts, manages, and supports curriculum research and development. We represents FTLU through its Office of Ombudsman. We administer intellectual property and copyrights as custodial superintendent for their creator. 

Our mission-oriented service lines are:

  • DISIS (now DHS) for recordkeeping and CORPS operations
  • Mindsoft for cognitive, behavioral, and professional development 
  • OmbudService for administrative operations 
  • Other operations (OPS) include Granary Bank & Trust/Artcoin Mint of Meriptah, New Works Projects Administration, St. Nat’s/O∴T∴N∴S∴, FTLU, FLF-DAO, and the Syllabus Free Press.  

(Last modified 20 Sep 2023 4 Oct 2023 13 Oct 2023)

© MMXXIII by NOVUS SYLLABUS L.L.C.
ALL RIGHTS RESERVED WITHOUT PREJUDICE.

[bulla] Full Assurance

Jesus Christ is the Saviour of the World; He is the deliverer from all human wretchedness, and He has redeemed us from death and sin; how could He be all that, if the world must languish perpetually in the shades of ignorance and in the bonds of passions? It has been already very clearly predicted in the Prophets that the time of the Redemption of His people, the first Sabbath of time, will come. Long ago ought we to have acknowledged this most consolatory promise; but the want of the true knowledge of God, of man, and of nature has been the real hindrance which has always obstructed our sight of the great Mysteries of the faith.

Karl von Eckartshausen, The Cloud upon the Sanctuary, Letter IV

Jesus Is Our Surety

“By so much was Jesus made a surety of a better testament.”
[Hebrews 7:22]

INTRODUCTION

  1. This morning we studied the judgment seat of Christ, for it is the horrible and certain end of all men.
  2. But tonight I want to remind you of our glorious Mediator and Surety with God, the Lord Jesus Christ.

THE DEFINITION

  1. Surety. A person who undertakes some specific responsibility on behalf of another who remains primarily liable; one who makes himself liable for the default or miscarriage of another, or for the performance of some act on his part (e.g. payment of a debt, appearance in court for trial, etc.).
  2. We have surety bonds, performance bonds, bail, and bond to guarantee legal, financial, and professional obligations, such as with construction and insurance companies.
  3. When we need to borrow more than our credit allows, we appreciate a surety; if we were arrested for something, we would appreciate the surety bond that lets us go free.
  4. Judah became a surety for Benjamin to his father Jacob (Gen 43:8-10; 44:30-34; 42:37).
  5. Aaron became a surety for Israel in their sins and stood between them (Num 16:41-48).

THE SURETISHIP

  1. Jesus, a High Priest after the order of Melchisedec, was made the Surety of His people.
    1. God chose Jesus from among the people to be the mighty Surety (Psalm 89:19).
    2. He was made Surety by God’s oath at His ordination as our Priest (Heb 7:21).
    3. Jesus did the will of God perfectly as our Surety for our salvation (Heb 10:5-14).
  2. Being a surety means paying debts and performing, where the needy cannot pay or do.
    1. The wages of sin is death, which God’s justice pays; but Jesus died (Rom 6:23).
    2. Only the undefiled enter heaven, so He lived faultlessly for us (Jude 1:24-25).
  3. Jesus was necessary as a surety, for the justice of God must surely be paid (Rom 3:26).
  4. He is the Testator, for it was by His death that He put the covenant in force (Heb 9:15).
  5. We see Him under the strain of the Surety engagement in Gethsemane (Luke 22:39-44).
  6. No man in heaven or earth could approach the throne, but only our Surety (Rev 5:1-14).
  7. If this is not a Surety, successfully finishing His work, what is it (Isaiah 53:4-12)?
  8. The doctrine of representation by the Second Adam reveals our Surety (Rom 5:15-19).
  9. The Lord Jesus tasted death for every one of His children to deliver them (Heb 2:9-17).
  10. How else can we look at the Book of Life, but as the list of His Surety engagements!

THE BENEFITS

  1. The Lord Jesus fulfilled the righteousness of the law on our behalf (Rom 8:3-4), so that we are righteous in God’s sight with His perfect obedience (Eph 5:25-27; Col 1:21-22).
  2. The Lord Jesus paid the penalty for sins by His death for us (I Pet 2:24), so that there are no more sins against our charge when we stand before Him (John 1:29; Heb 9:28).
  3. He lives to make sure we are absolutely, completely, and eternally saved (Heb 7:25).
  4. There is an abundant entrance into heaven waiting for the children of God (II Pet 1:11).
  5. Since Jesus is our Surety, it is impossible for God to withhold blessings (Romans 8:32).
  6. His death reconciled us to God, but He still lives to be an eternal Surety (Romans 5:10).

THE APPLICATION

  1. There is no fear in the proper knowledge of Christ Jesus our Saviour (II Timothy 1:12).
  2. The LORD will show us His secret and covenant, if we fear and seek Him (Ps 25:14).
  3. We must learn to trust Him. He has done it; He is in heaven for us; He will receive us.
  4. It is simple: “Whosoever believeth on Him shall not be ashamed” (Rom 9:33; 10:8-11).
  5. A woman was healed and had her faith commended, when it was weak (Mark 5:25-34).
  6. Those who lack faith and assurance, I ask how many minutes you spend seeking Him.
  7. And you should consider long and seriously His faithful words “no wise” in John 6:37.
  8. We should seek and receive the benefits of the covenant in our hearts (Eph 3:14-19).
  9. Let us bring forth the fruit of righteousness with far-sighted vision (II Peter 1:9-11).

CONSLUSION

  1. The Lord’s supper is a memorial feast of our Surety’s covenant death for us (I Corinthians 11:23-26).
  2. Let us partake of the Lord’s supper tonight with the joy that His suretiship should put in our hearts.

CITATION


I AM THE L.O.R.D. THY G.O.D.

Drafted by Antarah

I AM the Land Owner Record of Deeds, thy Grantor Of Dominion. My body is the Land and I AM the Owner of Record on the Deed of my Live Birth Certificate. I have granted unto thee the use of my Dominion over the earth, the sea, and all that therein is; for thou art a corpus (“dead corporation”) who is in want of my natural right which I have through the sacrifice of my Savior. My life secured and bonded by the LORD my GOD, let thy presentment pass over me and return unto thee; for said presentment is hereby ACCEPTED FOR VALUE AND HONOR WITHOUT PREJUDICE. I hereby attest and assert my equitable title over the landed estate (“person”) named on the instant presentment. Any obligation of such person is an obligation discharged to and held by the United States as evidenced by the signatures of its Treasurer and Secretary of the Treasury on Federal Reserve Notes, these officers being the de facto fiduciary agents of the estate __________________. All debt is prepaid by the blood of Our Sovereign Lord in Christ for relief by recovery upon acceptance for value under House Joint Resolution 192 (1933).


AUTHORITIES AT LAW AND EQUITY

1. GRANTOR OF DOMINION.

[Genesis 1] [26] And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth. [27] So God created man in his own image, in the image of God created he him; male and female created he them. [28] And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth.

2. DEMAND FOR EQUITABLE ADJUSTMENT.

[Psalm 17] [1] Hear the right, O Lord, attend unto my cry, give ear unto my prayer, that goeth not out of feigned lips. [2] Let my sentence come forth from thy presence; let thine eyes behold the things that are equal.

3. THE DAY OF THE LORD.

[Psalm 118] [1] O give thanks unto the Lord; for he is good: because his mercy endureth for ever. [8] It is better to trust in the Lord than to put confidence in man [or princes]. [14] The Lord is my strength and song, and is become my salvation. [17] I shall not die, but live, and declare the works of the Lord. [19] Open to me the gates of righteousness: I will go into them, and I will praise the Lord: [22] The stone which the builders refused is become the head stone of the corner. [23] This is the Lord’s doing; it is marvellous in our eyes. [24] This is the day which the Lord hath made; we will rejoice and be glad in it. [26] Blessed be he that cometh in the name of the LORD […].

4. ACCEPTANCE FOR VALUE.

[Matthew 5] [25] Agree with thine adversary quickly, whiles thou art in the way with him; lest at any time the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison.

5. THE TAX RETURN.

[Matthew 22] [17] […] Is it lawful to give tribute unto Caesar, or not? [18] […] Jesus […] said, […] [19] Shew me the tribute money. And they brought unto him a penny. [20] And he saith unto them, Whose is this image and superscription? [21] They say unto him, Caesar’s. Then saith he unto them, Render therefore unto Caesar the things which are Caesar’s; and unto God the things that are God’s. 

6. A WORKER IS DUE HIS WAGES.

[Luke 10] [5] And into whatsoever house ye enter, first say, Peace be to this house. [6] And if the son of peace be there, your peace shall rest upon it: if not, it shall turn to you again. [7] And in the same house remain, eating and drinking such things as they give: for the labourer is worthy of his hire.

7. GOD IS NO RESPECTER OF PERSONS.

[Romans 2] [9] Tribulation and anguish, upon every soul of man that doeth evil…; [10] But glory, honour, and peace, to every man that worketh good…: [11] For there is no respect of persons with God. [12] For as many as have sinned without law shall also perish without law: and as many as have sinned in the law shall be judged by the law;

8. THE LAW IS BINDING BUT FOR THE REMEDY OF FAITH.

[Galatians 3] [9] So then they which be of faith are blessed with faithful Abraham. [10] For as many as are of the works of the law are under the curse: for it is written, Cursed is every one that continueth not in all things which are written in the book of the law to do them. [11] But that no man is justified by the law in the sight of God, it is evident: for, The just shall live by faith. [12] And the law is not of faith: but, The man that doeth them shall live in them.

9. MINORITY (INFANCY) AND MAJORITY (MATURITY).

[Galatians 4] [4] [T]he heir, as long as he is a child, differeth nothing from a servant, though he be lord of all; [2] But is under tutors and governors until the time appointed of the father. [3] Even so we, when we were children, were in bondage under the elements of the world: [4] But when the fulness of the time was come, God sent forth his Son, made of a woman, made under the law, [5] To redeem them that were under the law, that we might receive the adoption of sons. [7] Wherefore thou art no more a servant, but a son; and if a son, then an heir of God through Christ.

10. SURETYSHIP.

[Hebrews 7] [22] By so much was Jesus made a surety of a better testament.

11. FULL ASSURANCE OF FAITH.

[Hebrews 10] [19] Having therefore, brethren, boldness to enter into the holiest by the blood of Jesus, [20] By a new and living way, which he hath consecrated for us, through the veil, that is to say, his flesh; [21] And having an high priest over the house of God; [22] Let us draw near with a true heart in full assurance of faith, having our hearts sprinkled from an evil conscience, and our bodies washed with pure water.


AUTHORITIES AT EXCLUSIVE EQUITY

Hebrew 10

[22] Let us draw near with a true heart in full assurance of faith, having our hearts sprinkled from an evil conscience, and our bodies washed with pure water.

Isaiah 32

[1] Behold, a king shall reign in righteousness, and princes shall rule in judgment. [17] And the work of righteousness shall be peace; and the effect of righteousness quietness and assurance for ever.

Acts 17

[31] Because he hath appointed a day, in which he will judge the world in righteousness by that man whom he hath ordained; whereof he hath given assurance unto all men, in that he hath raised him from the dead.

Ruth 2

[12] The Lord recompense thy work, and a full reward be given thee of the Lord God of Israel, under whose wings thou art come to trust.

Ps. 17

[1] Hear the right, O Lord, attend unto my cry, give ear unto my prayer, that goeth not out of feigned lips. [2] Let my sentence come forth from thy presence; let thine eyes behold the things that are equal. [3] Thou hast proved mine heart; thou hast visited me in the night; thou hast tried me, and shalt find nothing; I am purposed that my mouth shall not transgress.

Ps. 24

[1] The earth is the Lord’s, and the fulness thereof; the world, and they that dwell therein. [2] For he hath founded it upon the seas, and established it upon the waters.

Ps. 98

[9] …[T]he Lord … cometh to judge the earth: with righteousness shall he judge the world, and the people with equity.

Is. 11

[4] With righteousness shall he judge the poor, and reprove with equity for the meek of the earth.

Matt. 22

[37] Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind. [38] This is the first and great commandment. [39] And the second is like unto it, Thou shalt love thy neighbour as thyself. [40] On these two commandments hang all the law and the prophets.

Leviticus 19:15

Ye shall do no unrighteousness in judgement: thou shalt nor respect the person of the poor, nor honor the person of the mighty: but in righteousness shalt thou judge thy neighbor.  

II Chronicles 19:6-7

Take heed what ye do: for ye judge not for man, but for the Lord, who is with you in the judgment. Wherefore now let the fear of the Lord be upon you; take heed and do it: for there is no iniquity with the Lord our God, nor respect of persons, nor taking of gifts.

Heb. 7:20, 22, 25

And inasmuch as not without an oath he was made priest:…The Lord sware and will not repent, Thou art a priest for ever after the order of Melchisedec: By so much was Jesus made a surety of a better testament. Wherefore he is able also to save them to the uttermost that come unto God by him, seeing he ever liveth to make intercession for them.


EQUITABLE SUBROGATION

Subrogation is the process where one party assumes the legal rights of another, typically by substituting one creditor for another. Subrogation can also occur when one party takes over another’s right to sue.  

For example, when an insurance company compensates a policyholder for an injury, the policyholder’s right to sue the person responsible for the harm may be subrogated, meaning it is transferred from the policyholder to the insurance company.  

[Last updated in June of 2024 by the Wex Definitions Team]

Surety’s subrogation rights

A surety who pays off the debts of another party may be entitled to be subrogated to the creditor’s former claims and remedies against the debtor to recover the sum paid. This would include the endorser on a bill of exchange. The surety will then have the benefit of any security interest in favour of the creditor for the original debt. Conceptually this is an important point, as the subrogee will take the subrogor’s security rights by operation of law, even if the subrogee had been unaware of them.

Wiki: Subrogation

Did you subrogate to the chattels as the surety (or waive your sovereign natural rights in security interest as estate-heir-beneficiary by acquiescing to the color of the court and merging with the NAME of the principal debtor)?

Amyr Samah El, as amended

(last modified 24.07.17.01:33PM)

Art¢oin:\>_Theory and Methodology

Preamble

Each real Art¢oin (¢) is a serialized Non-Fungible Token (NFT) representing one hundred (100) shares in the art work-product of the Scribe Antarah Crawley (the “Artist”). Each share of each real Art¢oin is also called a Non-Fungible Token (NFT) or “token”. These tokens may be bought and sold on an exchange or on the free market just like any trading unit, whether it be art, gold, or Bitcoin. Acquisition of Art¢oin NFT shares represents acquisition of stock (or “shares”) in the entity (or “company”) constituted by the art work-product of the Artist, Scribe Antarah Crawley.

Appreciation in the value of the total volume of art work-product in circulation and on deposit represents an appreciation in the market value of the Company of the Artist, and shall inure to the benefit of its shareholders. One in possession of a share, or token, of the Company shall be de facto shareholder, however, each and every token should be exchanged under an “Agreement of Original Transfer of Work of Art” (or “contract”) establishing the rightful collector (or shareholder) together with a description and sale price of the subject art work, in pursuance of sound bookkeeping.

Value in Artwork

Art is work product that is valued for its unique qualities of scarcity and desirability. Such qualities are derived from many factors, including the person of the artist, the execution of the artist, the intention of the artist, the attention of the artist, the subject matter content of the work, the medium of the work, the lifetime of the work, and the effect upon the viewer, among many other factors. For these reasons, art made of materials worth literally nothing can fetch millions in exchange on the free market. In fact, digital non-material NFTs have sold for as much as $69 million at auction. Therefore art is a great asset that can hold and appreciate value like gold. Therefore it is a form of “hard money”.

Water Theory of Capital

1.0. There is a vast “sea” of value, represented by fluctuating wave-particles called “currency”.

1.1. When value flows freely in a “current” (through a market), then it is “liquid”. But when is it held up in an asset or other liability, then it is not liquid, because it cannot flow freely.

1.2. To get liquid currency from the “sea” to the “shore” where people use it to “work the fields” there must be river “banks” that conduct the liquid current “downstream”. Banks facilitate a capillary system whereby the value of the sea flows to the inland.

1.3. People irrigate new streams of income all the time. One must first identify a source of water, which is the market from which they will draw liquid. Then they must use tools to irrigate a stream to flow from the market to their place of business. These tools are means of production, with the resulting channel being the work-product which conducts the liquid currency to them. (It is worth noting that most institutional banks sit on naturally occurring rivers and bodies of water and are designed to be gatekeepers, or dams, to liquidity.)

2.0. An enterprise of any kind must float upon the sea of capital; for if it does not float, then it will become underwater.

2.1. This is to say that water a ship floats upon is good credit, but water that has gotten into the ship is bad debt that can sink the ship.

2.2. How shall the enterprise remain afloat? It is by and through good “leadership” and “stewardship” and “ownership” and “membership” as well as a firm league of “friendship”.

2.3. What, then, shall convey this company of ships down the river stream of income? It is by and through the ships’ “sales”.

The Liquidation and Circulation of Artwork

Considering the real and potential value of the art market, two important questions arise:

How can artists build liquidity into their work?

How can artists become art market makers?

Our Solution: back each unique work of art with something of intrinsic value in a form that can be readily circulated. The artist can increase the liquidity of their work by rendering their work in easy-to-trade units, or “trade units”, of art work. Of what should these units be made? We find that copper and other metals like silver and gold are much more liquid and valuable than canvas. The Artist can multiply the value of this base material by the work that the Artist inscribes upon it. The Artist can produce x art works per day, each one being a uniquely wrought and serialized unit of work: a non-fungible, or irreplaceable, token (an “NFT”). The craft production of NFTs organically controls the issuance and supply of such NFTs. With every sale, the value of the Artist’s work may appreciate. Smart contracts served via blockchain may enable artists to be paid dividends and royalties on all future transactions of the NFT. Thereby the Artist might become the market makers of certain art submarkets.

Blockchain Contracting

The contract for the transfer of a work of art may be decentralized from any physical location and operationalized without the physical meeting of the parties.

The contract itself may be a publicly available, pro-forma text which may be completed and submitted anywhere there is internet access. The contract binds the Collector to the Artist under clearly established terms for present and future transactions on the unique NFT artwork.

A Company of the Artist

By extension of such a blanket agreement executed between all parties in every sale, the parties establish a de facto company of the Artist in which all Collectors are shareholders holding company shares (the NFTs) that fluctuate according to the principles of the free market.

(Last modified 13 Apr. 21; 4 May 21; 10 May 21; 21 Sep 23)

Human Programming

HUMAN CAPITAL RESOURCE DEVELOPMENT

What is the most valuable commodity in a capitalist system? Human labor. What is the most valuable asset in a capitalist system? Land and real estate? Wrong. It’s Human Intelligence. Why? Because it controls human labor. Therefore we aim to capitalize on the development of the human’s most valuable resource: intelligence.

What does Human Capital Development mean to us? It means: Develop Thought Control Program/Monitor or CP/M. In other words, you must develop self control to program and monitor your thoughts. How do we apply this method in practice? We actively program the mind software to develop and operate self DOS > control CTRL or C:\>_. The CTRL function enables you to state and execute commands CMD at the main root level.

Thought is a function of sense perception and cognitive behavior. We apply this cognitive function to facilitate human self development and improve a variety of soft skills and competencies including ethical, philosophical, social, political, and cultural consciousness. Competency development builds the capacity to act effectively and probe the facts to arrive at the truth of any matter in question. This method and practice is built upon a foundation of universal archetypes MAAT represented in the language MDU of nature NTR.

CULTURAL SOCIAL AND POLITICAL PROGRAMMING

We specialize in treating people affected by Black Identity Complex, which is one of the manifestations of Colored Person Syndrome Disorder, also known as Colored Person Stress Disorder or CPSD. CPSD manifests in people who are affected by a color of law, meaning the subjective and inequitable treatment of people with a certain complexion.

“Black” and “white” are colorable terms that purport to represent a person’s complexion, but do not. In fact, they represent a person’s social, economic and legal status. Therefore, our diagnosis finds that those who perceive themselves to be “black” lack objective knowledge of themself. This perception affects their socio-economic performance and leads to a Black Identity Crisis which perpetuates the perception of inequitable treatment. In our clinical practice we seek to resolve the psychological contradictions posed by colorable terminology and empower people living with CPSD by providing them access to information about themself. Our prognosis is to know yourself, and you will no longer be lacking in society. 

Mindsoft as a Service (MaaS)

Mindsoft iconMindsoft Command Prompt (click above)

NS:\Mindsoftware_as_a_Service(MaaS)
Course Syllabus (Runtime Environment)
cashapp small
(last modified 3 Mar. 20)